Though Delluc's career was short-lived, it burst vigorously(7 films in 4 years)that it forever left its imprint on french cinema history, and they rightly honoured him by giving the annual Prix Delluc to the best French film of the year. He was responsible for the creation of influential cinema journals like Le Journal du Ciné-Club and Cinéa, founding numerous film societies, writing countless articles and coining the term "cineaste". Delluc believed that films should be set in the natural without elaborate posturing, and characters should be portrayed in an intimate way where the past and present, illusion and reality can be correlated, all considered to be avant-garde at its time. He died only a few weeks after the shooting of The Flood at the age of 33.
黄政民只是作为演员演了一出主角也叫黄政民的戏仅此而已。
要是没有看过吾先生,这个可以打7分,翻拍都不及格。。哎
几个恶棍非常出彩,政民欧巴稳当,编导差点意思。
韩版解救吾先生,虽然有黄政民演自己,但是从剧情到角色深度都比我们原版差不少,特别是韩版绑匪,和王千源的原版完全木有可比性,原版绑匪实在很难超越…
一般般吧,黄政民演黄政民也挺好。五个绑匪不算多,要是进电梯一个都跑不了
翻拍得毫无亮点,又是靠民子一个人撑起的一部电影
这选角是真不行,这绑匪我看着都能30秒内把他打在地上跪着叫爹。
恍然大悟!原来绑匪是音乐剧演员金宰范!!!!
紧张感略有不足,并且也没有太多的对手戏。还是不如华仔版的精彩
要是没有黄政民,这一票绑匪和警察能把人蠢哭。
翻拍能力一般,韩国人已经完全不相信社会警察和体制了。
恍然大悟!原来绑匪是音乐剧演员金宰范!!!!
黄政民:用暗语叫人报警;劫匪:我绑架了黄政民哈哈哈哈哈
6.0 跟原版比,绑匪癫狂有余,邪魅不足。显然黄政民更适合演反派。
女绑匪的C杯让我印象深刻…胸型真好看,我女的都多看了好几眼。整体只抄了个皮毛。
通过对比就知道王千源塑造的角色是多么出彩了。
比国版的差不少,1最后警察破案完全看天,没有匪徒内讧根本抓不到;2内讧的逻辑也有问题,反一老开空头支票玩弄下属怎么控制下属卖命;3最后反一自首可以理解成躲债嫁祸反二,那给警察错误信息是什么套路,炸弹爆了不等于给反二预警嘛,而且也没法确定自己不被炸死,有点扯;4一起被绑的小姑娘最后直接没镜头了,她也是很重要的一环,一个普通人的勇敢就没了
why黄政民要来拍这种电影。绑架头头感觉像个变态杀人狂,一点也不像为了钱绑架人的
配角比主角更加出彩,但不得不佩服犯罪分子的愚蠢。
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