To the south of the Indian metropolis of Surat in Gujarat province lies a vast industrial zone that has been growing ever since the 1960s. Director Rahul Jain filmed the grueling daily routine in just one of the many textile factories there. In the factory, man and machine seem to have fused into one being. It is dark and dank, and barely any daylight penetrates the space. The labor is heavy and mind-numbing, and the work days seem endless. We are drawn into a gloomy world where the cacophonous beat of machinery sets the rhythm of toil. Jain is as interested in the mysterious connection between worker and product (the fabrics are treated mechanically, but also with love) as he is in the degrading conditions. Each shift lasts 12 hours, for adults and children alike, and wages are extremely low. Short interviews are interspersed throughout the observational sequences, some of which are captivating in their beauty while others are painful to watch – such as when we see a boy nodding violently in his struggle to stay awake. (From IDFA official website)
特利伽TV不行~特利伽特别篇行！期待新奥也行！
两段彰人在鬼屋笑死了。伊格尼斯去阻止泽塔那段，从准备变身到黑特落地那几个分镜好舒服一气呵成。剧场版真「早知今日」系列的代表。
看了一半，还行。
遥辉的演技还是很让人放心，75分钟能搞成这样真的很棒了！
特利迦果然和01一样剧场版封神，如果这样的话，戴卡希望对标圣刃
一开始TV版放出来时，直接碰瓷迪迦，这能碰吗？没这个能力知道吗。后来，直接看豆瓣评分，好家伙，5.2！直接变成“死马露”奥特曼！可以，作为90后老大叔的我不禁露出意料之中情理之外的冷笑，直接跳过TV不看了。（编剧久弥直树出来挨打！）后来，逛小破站，网友说是这部剧场版捞了一下，我全程面无表情看完。这么说吧:还是没能达到迪迦剧场版的高度，（毕竟珠玉在前，显得特利伽特别小丑）但作为特摄片，有跳出子供向的想法。（毕竟最后不是场外精英队边缘打call，奥特曼一人战斗，很燃，但达不到泪点）最后，还是最怀念那年变成光的时候。
应该不算剧场版，算是补充篇。
但不可掩盖特利迦生不逢时，TV完结带给我的恶心至今仍未消散。
剧场版明明不错啊，为什么剧集能够这么烂……
前半段的繁缛没能撑起来这么久的期待，但幻灭的塌陷却如此迅猛确实又让人有一丝惊喜。看了眼法媒凡以“critique”为主要生计的在一众评价不算太好哈。文学版盖茨比，整体也不如马丁伊登。又犹豫了一下还是没舍得多给一颗星。
比Tv强，但还是一言难尽，四颗星星给客串的泽宝
四舍五入就算泽塔有剧场版了吧，不然我还不看这部呢。
后半段with mary
I don't get it 怎么做到抄迪迦剧情都抄不明白的吧
特摄质感差强人意，地球卫队武器一直变花升级，却始终无法破防敌军。
这部电影，一个好消息，一个坏消息
谁都想当这个宇宙的光，可只有被选中的光之化身才有资格，如果不能将这份光用在保护身边所有人，那光就失去了意义！
一般——比如两条故事线好像有点刻意，比如特摄戏完全甚是无趣——但是，但是吊打TV
只比TV好点，剧情还是很刻意，很流水线的剧情。
但不可掩盖特利迦生不逢时，TV完结带给我的恶心至今仍未消散。
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