With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
纯喜剧，它从头到尾都在坚持喜剧，在每次觉得它该认真时依然在玩笑。在高潮后仍有出乎意料的情节，再次加强剧情合理性。严格讲8分，但在这甚至找不到电影看的年代五星强推。
今年看过最有意思的电影，这狗电影笑死我了。
穷人版复仇者联盟还是很好笑的，其他的就普通点
前半段还有些俗套，后半段简直妙到飞起，尤其是恶搞超级英雄出场那一段和最后吸尘器广告植入那一段，如果每一个广告植入都有这部片子的吸尘器广告那样妙趣横生，哪个观众会不满意啊！太搞了！
为0分，那么50分是什么样的？60分、70分、80分是什么样？
超级英雄的梗很多，主体是屎尿屁。现在很难被这种片娱乐到了，不是片的问题，是我的问题。
好莱坞拍运动励志片有一套！虽然是老套剧情，但是节奏与运动感都拍出来了！
笑果很不错哈哈。演女友的演员非常迷人，好像没啥名气。
Élodie Fontan是真的像Sienna Miller……22/06/20
分不清自己如何，不是正人君子，不是龌龊小人，做不得超级英雄，也不是自甘堕落。
看似粗糙实则用心的影片很讨喜，拍戏与现实的巧妙融合，一切都是如此的自然恰当，喜剧效果出色，失忆后戏中身份与真实搞混，恶搞复仇者联盟，最后还有点睛之笔，途中遇到的女友也是失忆前就有的
NBA明星脸电影，虽然知道结局无悬念，可转折太过于生硬，竞技体育是残酷的，没有第二次机会。
剧情普通，没什么意外惊喜。但因个人偏爱球类电影，体育精神使人振奋，故4颗星。
超级开心爆米花，
好精彩的一部恶搞喜剧，实在是太逗了！另外，父爱的表现也很适合父亲节观看！
穷人版复仇者联盟还是很好笑的，其他的就普通点
从DC到漫威，超级英雄被恶搞的体无完肤，笑点烘托的很到位，全程我尿点，着实惊艳到我了
笑点很多！圣母院刚修好又被炸了，出现幻觉的基友，被老鹰叼走的兔兔睡衣宝宝，袖子都被扯断的蝙蝠侠。。。法国人用OSS搞笑007，同样用badman调侃batman。
没想到还挺好看，剧情挺抓人的，爆米花拍得好！好笑。讽刺。
屎尿屁恶搞漫威DC，笑点算密集的，和反派打斗比较有新意
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