With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
还是很有诚意的一部作品。主角颜值演技都在线，看时心里真的会有触动……
我比较认同前期妈妈的看法....为什么全家人要强行组合这对CP....好像在拼命给你洗脑“你俩多般配啊。”最后自己都信了“我俩好像真的挺般配”.....
不点失望。刻意，尴尬，cringy, cheesy and corny。真的看预告就可以猜结局，也不甜呀，也不节目，也不温情。netflix给你钱，你就不要浪费呀。
一起看的室友给了5⭐️，我不理解，我给-1⭐️
看的很开心，很幸福，就够了。评分太低了，大概4分还是有的
虽然剧情有点拖沓，但好美好哦www一直都像飘着雪花的圣诞水晶球 圣诞节最好了！
硬凑cp，明明是姐妹，luke那么帅，可惜
没看到一半恨不得下一秒赶紧结束，看完之后感觉喉咙被一口百年老痰卡住差点噎死。
没看到一半恨不得下一秒赶紧结束，看完之后感觉喉咙被一口百年老痰卡住差点噎死。
故事情节好单薄，赶在圣诞就当是背景声放着…还好颜值都在线w（不得不说当演员还是得牙口好
关于在圣诞前夕独自在住处投屏观看这部电影 我感到很幸福🥰
Corny as predicted but still enjoyed it...
我的天啊 这剪辑也太差了吧 受不了 看到好几处剪辑逻辑有问题
过节就得看点cliche happy endings
还行，全剧挺喜庆的！无论同性异性，这世界多点真爱还是挺不错的。
有没有一种爱情 不需要读心术？节庆电影 甜蜜就好
非常非常非常普通… 但是希望这样的普普通通纯图开心的lgbt影视再多一点。毕竟同类型的直人影片我们也看了这么多年了。
感觉被封面欺骗了……不过还算有爱温暖，但没有灵魂。
网飞圣诞贺岁档，属于gay的圣诞大餐终于端上桌了。甜蜜的室友+八卦却有爱的一家人，其乐融融，圣诞氛围拉满。不过现在真的是连同型号的gay之间都没有纯友谊了吗？我记得有位所谓的爱情专家说过这样的话，「男女之间是没有纯友谊的。如果你觉得有，那么恭喜你，你就是被爱的那一个」看来本片导演也是在努力的用实力去证明那些专家的话是对的。（可为何我依旧觉得是有纯友谊的？也许我就是被爱的那一个吧。想到这我还觉得自己是有价值的，至少有人爱我就证明，我值得被爱）
故事情节好单薄，赶在圣诞就当是背景声放着…还好颜值都在线w（不得不说当演员还是得牙口好
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