Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
一个晚上意外看了两部red giant animal的电影，这部虽然脸谱化但真的蛮好笑哈哈
鉴宝和解谜的过程比较有趣，故事逻辑不合理的地方较多。结局看似反转实则胡扯，看个乐呵就行。
如果有一天你的宠物变大，大家会有什么反应，我觉得应该会真的抓去做实验，被抓去作研究，感觉可以搞一个大型宠物宇宙电影
到底是拍给小孩子看的，还是拍给老孩子看的？
四颗星吧！像童话故事一样，小狗狗失去了妈妈，却从小女主人这里得到了更多的爱，让它从一只小狗狗变成了大狗狗。这份“大”也正是小女主人爱的具现化。当然这只是童话，也只能是童话，但其中映射出的，不就是这个社会所缺少的爱吗。
参加唐山李现粉丝后援会。给朋友捧场，无脑5星好评，太热情了。
这部儿童片就是放到30年前……也不能算超前……当然特效技术除外。
很温馨，虽然很政治正确，但是很适合我现在低落心情时候看
不要这么呼叉一下把古画展开，药不然就得赔钱。还是要像豪哥一样，行动起来，就是要比他们更有钱。
前半部分看着还挺很有意思的，后半部分剧情直接崩了
A story that began with two lost souls ends with one big family
AMC Sunnyvale 12 | 适合幼儿园小宝宝观看 大红狗没有灵魂 果然人类想象出来的动物无聊透顶 对比一下黑脸小pug可爱多了
看的时候思绪止不住的来回跳跃：哇塞好可爱啊--这么大的狗每个月得多少伙食费才能养活啊--可是真的很可爱哎--跟在这种级别的大狗后面该怎么捡屎，搞台叉车吗--卧槽还能当马骑好酷哦--带它出门先不说把人吃了咋办，光是把车踩坏也赔不起啊…话说，如果设定为哈士奇或猫，会是不错的恐怖片。
全片最让我出乎意料的是片尾的对白“有证据表明老朝奉是…”“都不重要了”
奇幻现实，给孩子看的……因为喜欢狗，我坚持着看完了……价值观传达得无比生硬，咣当咣当的……最关键这血红血红的颜色也不讨喜啊（漫改？好吧～）……总之，宠物太大也是麻烦～
好久没见到葛大爷了。就是bgm太夸张了，一股子用力过猛的气息。
从什么时候开始人们不再真诚？
真善美。还是需要美好，也相信它。反派现在都以贝索斯为原型的嘛。
一般吧，进展比较快，很多细节都省掉了，卡司还是不错的。
受众12岁以下的儿童奇幻片，感觉还不如精灵鼠小弟有趣，像是20年前的电影，在学校受排挤的女孩因为无法藏匿的大红狗被迫产生了勇气
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