Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
不引进谁吃亏，已经一目了然了，赶紧偷着乐吧
【B+】节奏很快娱乐性也不错，分镜设计和转场太有山姆雷米那味了。旺达在说话时会时不时看向观众来表现多元宇宙这个设定的Meta设计是神来之笔。不喜欢的地方是光照会的塑造实在是失败，最搞笑的是惊队的肉体素质那么强居然弱石，还有全片都在赶剧情完全没有给旺达的情感下足够的笔墨，导致情绪扁平，后面的转折也让人觉得非常平淡。标题叫疯狂多元宇宙，本来以为会去到很多有意思的宇宙，结果也就展现了两个宇宙，这点来说挺失望的。
蜘蛛侠的成功就源于大众妄想的情节都实现，因此这部的败笔就是我们想看的多元宇宙钢铁侠没实现。其实都是在讲旺达，却还把旺达的妆画那么丑。给接盘侠导演加颗星
作为爆米花电影，剧情和逻辑方面很不错了，不像蜘蛛侠3那样有剧情衔接太差。奇异的特效也确实是好看，另外还单独加上了丧尸元素。反正就像是吃肯德基一样，晓得没营养、流水线生产，但偶尔吃一次也还是很舒服。唯一的缺点就是，猜都猜的到博士最后会被眼魔附身，要不然怎么继续拍3呢🫢
虽然心脏吓痛了几次 打斗戏不错 剧情还是比较差啊 ！为LGBT打Call
漫威电影宇宙第四阶段终于支棱起来的一部。逻辑合理，叙事流畅，在越来越复杂的角色背景中承接过去与未来，用恐怖片的手法呈现（比隔壁DC温子仁的海王处理得更好）。绯红女巫真不愧为欧米茄级别的变种人，无论惊奇队长还是至尊法师在她面前也只是个杂兵，最后也没有被打败而是被劝服。
Chavez的出现是重要的一笔 以后应该会在漫威宇宙中发挥更大的作用
这个系列的视效真的不会让人失望，两位博士音符干架的场面实在是太惊艳了！如果没有旺达幻视的前情铺垫，电影的剧情会显得有些草率。但如果了解旺达是如何走到今天这一步，影片的结尾将是令人唏嘘的。然而最打动我的竟是博士对爱人的那句略显俗套却无比深情的表白：I love you in every universe.
就剧本一般… 但恐怖元素齐全…相比之下第一集太好看了！
剧情真的很弱，三星给特效和拍摄效果。这是一部美国打气电影吗？女主叫America，打扮和传送门也很America，男主说相信你自己可以的时候真的太搞笑了。
居然没有古一法师 不过这里的旺达也太强了吧！！！
看的5GB 720p版本 看完只想说一句 还我旺达我谢谢你
我挺喜欢奇异博士这个人物设定，但是多元宇宙搞得我头晕……
其实应该叫《旺达找儿子》
比想像中好看但真的有被嚇到而且不懂那些人物都是誰
好看的！就是旺达现在太强了吧，一人秒杀光照会，对比下来主宇宙的复仇者联盟简直都是战五渣，后面的战力该怎么平衡下去呢
对角色塑造还是失望（指旺达和America）走火入魔的母亲和小白花，还有别的形象吗？特效比剧情好看，然而也不怎么好看。
能够在电影院里看一部黑暗血腥恐怖的漫威片，太不容易了。人类自以为是的科技，超能力在魔法面前都是渣渣。红女巫，复联最强战力认证。
最喜欢的两处，查尔斯坐着的飞行轮椅正好是致敬92版x战警动画，出场音乐也是92bgm，可以说兴奋点拉满。
唯一评论就是非常好看超级好看好看死了 但真的不像奇异博士2 主题应该是“旺达全宇宙寻子记”戏份太重了，但是奥妹实在是太美了！！要入坑漫威了
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