The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
警察和匪徒的塑造原版更玩味,被绑架者黄政民比吾先生更苦逼,两部电影各有优劣。
网络,原声,94分钟。
本片翻拍最不成功的地方,就在于依旧无法跳出韩国犯罪类型片的套路,而走出写实片的创作风格,反派一号神似王千源。
表演痕迹太大了
棒子国杂种变态真的多,黄政民为什么不去拍鱿鱼游戏啊呜呜呜
挺一般的…
比不过国产原版,韩影恒久不变的定律=韩国警察都是猪
比原作更刺激,节奏掌握的也很好,但也更狗血……
原版解救吾先生比这个拍得好多了。韩影这种犯罪类型拍出来都一个套路。
绑匪正经事不干欢乐窝里反也是看得一头雾水。
居然直接用本名,那结尾肯定是得救啦!多一星给黄政民
青龙影帝演技完全没问题,但就先入为主的概念来说,翻拍的不好。韩化的画蛇添足,很多硬伤,缺少真实感。
自己演自己依旧很能打,比原版好的一点是加入了好几个女性角色吧。
感觉跟闹着玩似的,大概符合韩国吧。相比之下还是更喜欢中国版的
被绑架女孩的发型。
比国产真的差多了,没有凸显出原版的刑侦写实性,有些过于娱乐性了,剧情也比较仓促,草草了事就收尾了,影帝黄政民也救不了这部电影的口碑
中规中矩,忠武路工业没能让这个中国剧本焕发新意。
韩国🇰🇷警察👮被抢匪牵着鼻子走
跟「解救吾先生」架构类似,剧情业紧凑,但警察全程工具人,太突出主角光环,就没啥意思了。
恶人、蠢人,哪个更加讨人厌!人生如戏,全靠演技,生动给哪些不背台词,只会读数的小鲜肉上了一颗,演技好不止能演,还能救命!哈哈
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