The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R.
很好看很酷啊 看我最爱的两个英雄打架 有点惊悚但是没有暗夜博士吓人 近期最满意的一部电影 弥补了奇异博士1没有在电影院看的遗憾
各种恐怖元素杂糅得可以的 猩红女巫的桥段都很带感呀 故事也更完整了
有不少惊悚元素，CGI乱炖也比这一年来的其他漫威都爽
So cult and so much drama that I hardly believe this could be a marvel movie lol
…镜头调度让人太失望了🥺
看过的比较好的恐怖片（别 但是真的不错，出乎意料，甚至微微给我整破防了几秒
从“旺达幻视”之后就期待这部电影，失望。4月29日收到友邻消息：等不到了。大概是指大银幕上等不到了。没看过奇异1，冲女巫看奇异2，不喜欢片中女巫的角色塑造，虽然“旺达幻视”中，情怀都卖得差不多了，坑也大多填了，也赚足了我的眼泪，大概能理解要在旺达这个角色上开辟新路线，但是让旺达在正邪之间反复横跳，就很没意思了。最后跟比利、汤米面对面的画面，很尴尬。博士和美国小姐首次穿越到的宇宙，街景很美，像是动画片中的纽约。服化道和动作设计上，除了最后的哥特式黑暗，其他场景和化妆很难入戏，打斗动作像是八九十年代的tvb武侠剧。同为烟熏妆，旺达的眼妆却远不及复联2，怎么看都觉得像是梅超风。最后，英雄只能被摧毁，不可被打败，旺达将自己同黑暗神书一并掩埋，期待旺达在"Agatha"中回归，两反派凑一起，会很好玩？
就那样。真的就那样。哗哗欻欻的特效牛逼啊，情节稀里哗啦的。你个妈想要小孩，对，没问题，问题是你都能上另个宇宙自己的身了干嘛非要自己现在这个肉身穿越多重宇宙去代替那个身呢。然后，那个谁《他真的是我们中最强的》。
我还以为我在看恐怖片，旺达从镜子里出来那块我以为我看到了贞子。丧尸史蒂芬出场我以为我看到了夜王。现在超英片真不用去管剧情如何了，特效还是非常精彩的，看了个上午特价场打发时间还不错。
奇异博士之你幸福吗
3.5星，看到旺达追逐戏和博士借尸还魂总有种在看僵尸片的错觉😨
院线观影，彩蛋有贰。情节就不能细想啊不然就头秃无语，再见各个角色真的很惊喜，卡特，惊奇，理查德…尤其x教授。但那段结束得过于匆忙，出场的其他角色因此看上去实力很弱。
平行时空的设定很有趣，红女巫的实力是真的强，特效也不错，没有闷场。不过整体还是第一部比较震撼
观感不好 很赶 把神奇先生黑蝠王x博士秒掉真的很无语 粉丝期待了那么久结果战力渣渣真的很伤人的 前半段旺达战力爆表最后被逃亡的美国小姐嘴炮打败 战力崩坏
”I love you in every universe.”狠狠戳我
关于爱的电影，外面的壳是漫威是科幻，故事的核心是爱，是关于母爱、人与人之间最基本的情感和信任、关于自我对话，导演借用惊悚和恐怖片元素。有几次打斗，比如利用钢琴乐符进行斗法，是旁人看的没那么的审美疲劳，旺达最后和解，靠的不是奇异博士力量的强大，而是爱的唤醒！导演最后一个镜头就是想告诉我们：也许我们每个人的内心都有一个我们自己！
感觉奇异博士有点鸡肋
旺达这个巫婆怎么能这么厉害(o^^o)
漫威黑暗版多元宇宙系列，太多配角的加入，可惜剧情看下来好混乱，沦为爆米花电影，画面也多了几分恐怖，最后为了卷福加一星。
虽然心脏吓痛了几次 打斗戏不错 剧情还是比较差啊 ！为LGBT打Call
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