Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
谁还不想买一个好社区的房子呢，还不是因为穷嘛。
这结局不给满分嘛，一度以为车承元完了呢。不过这几个女演员找的真掉价
最少有一百种方法救他们上来，但是救援队一个也没想出来。。。就干干的坐着等着他们自己浮上来了。。
超高成本喜剧片了属于是，有不少桥段确实挺逗，还是值得一看的
其实还行，有点平淡，看个热闹是可以的。有李光洙就看了，以为是喜剧呢
灾难喜剧还是第一次看，一些硬伤被喜剧元素冲淡，感人的部分也没有过分煽情。
创意点不错，但是针对创意点展开的社会性和合理性做的不够。最多吐槽下首尔的房价罢了。
喜剧部分不错，灾难部分就一般吧，为灾难片真的会突然死人加半星
动作戏份打戏很精彩 太拉好感啦，电影质感优秀 内容很真实～
太差了
光听名字就知道一定是武大打系列，虎门销烟只是一部分，更多的是要将旧中国的惨烈体现出来
物理逻辑的不合理就不聊了，当时超现实童话看即可。中间有一段没看懂是怎么回事。感觉是已经去世的小男孩灵魂引着主角儿子活下来了？
- 要是真正在灾难中也能苦中作乐，保持积极的心态那就好了。
该片其实是一部喜剧片，片名和简介给人以灾难片的错觉，实际是一部混合了喜剧/灾难/剧情等各种类型影片元素的“大杂烩”;剧情逻辑混乱，说不通的地方一大堆，韩国烂片的代表作之一;如果把片中的喜剧元素全部去掉，拍成一部真正的灾难片，以韩国电影的风格，评价至少三星打底，五星也不稀奇;可拍成这样，两星已经是极限了;喜欢喜剧片的朋友可以看看，想看惊险刺激灾难片的人没有必要浪费时间！
在1090看的
拍得确实挺灾难的。。。又一次没get到南多凛扮演的这个角色到底有什么作用，帅是帅了，可还是演了个寂寞。
虽然有点扯，脑洞有点大，现在的建筑质量确实堪忧啊
中规中矩，多亏金成钧演技往回拔高。光洙和车婶的戏路和演技仿佛已经被定了型，只能演“咣手”和“傻子”。南多凛未来可期！实在是太帅了。最令人感动落泪的是出场不足5分钟的老奶奶🧓那里。
即使韩国灾难片千篇一律，但还是会继续看下去
灾难喜剧还是第一次看，一些硬伤被喜剧元素冲淡，感人的部分也没有过分煽情。
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