The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
一种文明下的不同文化/丰富的感性借由理性的逻辑呈现
徐峥做的最好,他是真聪明,小聪明,鸡贼,懂得市场,懂得商业片的套路,节奏和模仿都结合的恰到好处,故事也有趣,看得下去
一切都会败给时间,每个人都是赤裸裸地来,又赤裸裸地归去。
看这种电影我一般必哭的,但前两个小片段我眼泪花儿还包起的,就演完了。
"But justice doesn't need warriors. It needs judges who are impartial."
今年看到现在,目前的年度第二,仅次于阿彼察邦的记忆。导演和摄影神了,演员更是全线在线,庭审戏可进教科书,水平吊打威尼斯和戛纳主竞赛的水平。
在新生代剧场版里可以排个第三,可以看出武居的进步
其实没有tv好,
20-min thrill, ridiculous. 女性应该要有拒绝的勇气和底气。
就没有一个短片敢于直面而不遮掩的
看这种电影我一般必哭的,但前两个小片段我眼泪花儿还包起的,就演完了。
感觉看了一部现代版《最后的决斗》,台词量太大了,太难了拍这种电影。还是那句老话,我觉得我们在讨论男权和女权之前,更应该先站在人性的角度来审查事件本身。
四平八穩。武居真的會拍人物,比TV像活人。文戲也比TV好多了。最後SMILE的意義,變成光意義都給補完了。是成功救場的例子。
TV完结后的两年,因为永恒核心的不稳定(拉伊拉的阴谋),使得剑悟再度回归,而泽塔也追击赛雷布洛来到此处。
都有错,但错不是罪。“受害方”的指控倒接近“诬告”了。
什么是道德?或者什么是政治?法律从不存在。
而沈腾对“父辈”的诠释属于剑走偏锋,却独具匠心。
法律的局限性真的是发明他的人类自觉留下的bug,跟人斗,法律早死翘翘了
最后的审判陈词,以及最终宣判结果,值得思考
春节假期打开电视 刚好电影频道在放映这部 直接从《鸭先知》开始看 这一part还是蛮有意思 其它的…… emmm
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