According to Giorgio Vasari, the first art historian, the Renaissance was centred on a revival of interest in classical art that began and flourished in Italy. Waldemar disagrees, and accuses Vasari of errant jingoism. In fact, the most significant early developments in Renaissance art took place not in Italy, but in the ‘barbarian’ lands of Flanders and Germany. Instead of understanding the Renaissance as a return to classical models, we should see it as a climax of medieval values - an epoch of huge religious passions and powerful human emotions.
The series will celebrate material that is new to television. Waldemar will include art that is not usually thought of as Renaissance art. This will involve 're-classifying' what is sometimes called Late Gothic, and showing it off as a marvellous and native artistic tradition, particularly in the remarkable field of polychrome sculpture. On top of all the new art to be introduced, Waldemar will also look from fresh and intriguing angles at many of the established Renaissance giants, including Michelangelo in the Vatican, Leonardo in the Louvre, Botticelli in the Uffizi and Van Eyck in Ghent.
远不及致命录像带第一部的水准，当个抖音长vlog看差不多。
想说先看一会儿打发时间，结果一不小心全看完了，够血腥，够cult。
对比前两部，有点保守了。印尼导演给点力啊。
恐怖：6
好久没看这么“真实”的恐怖片了，过瘾！印尼导演的那部分也真是出彩，很有第一季“爱死机”真人版的感觉。为什么选在94呢，因为那一年是“连上帝都想看电影”的一年吧。
太血腥啦。我是双手捂着眼睛看完的。眼睛从指缝中偷偷看。
Timo要不就专门拍短片好了，篇幅一长节奏就拉胯
伪纪录片的形式和题材没有结合的很好，全程都感觉套了一个美图秀秀里的非主流滤镜在拍摄，相比较而言更喜欢疯狂科学家那个故事。
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虽然这部制作水平没有前几部好，但是VHS依然不影响是我最喜欢的系列电影。
画面很血腥 但是故事都挺无聊的 守夜那个稍微好一点
喜欢early wake的故事。怎么有点喜剧的感觉？
开局两个故事，极度业余。
邪教小电影合集？出了血腥也没啥了，san值完全不受影响
依然保持那种录像带画质增加纪实真实感，一个总故事串联四个小故事，还是最喜欢第三个那个实验机器姬视角的，恐怖血腥暴力是主打。
印尼科学怪人博士那节真的不错，够劲儿，其他能猜得到剧情进展的纯吓人打咩。和朋友一起看最开心了、全程半遮面挡脸凭借字幕来判断画面可看性
最喜欢the empty wake，氛围感太足了，好几次吓到尖叫，其次是机器女，场景和机械设计很狂暴，最后是老鼠人，不过还是有点没头没尾的，总体来说回到了前作的感觉！喜欢
第一个优雅喷硫酸，有点意思，第二个最喜欢找到当初看村上龙ibza的感觉，就是那种有意识而非人的虐感，最后一个磨叽，串联有点多余，整体的死碾基调是我的type
四个简单而混乱的噩梦，立意到表现都没啥优点，只能卖个邪典复古的人设了。
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