The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
疫情里,我们失去的远远比我们获得的多。
又乱又闹…过度防疫的,不做防疫的,当它不存在的…隔离期间的种种乱象,确实挺像那么回事
感动。虽然不是Happy ending,观于上海封控期间。
欢笑有泪花,疫情造成的压力恐慌,隔离期间给我们的生活带来的不便,一场疫情让世界停住了脚步,但人,还是要继续生活前行呀。
生肉没太看明白。但互相是在这个孤独的世界上的光的感觉,真不错啊
然而为什么唯独阿尔伯特保留有灵魂呢?整个世界观难道都是围绕希瓦和阿尔伯特而生的?如若少女切实存在,全片真的逻辑通顺吗?但如若只是灵魂与记忆的映射,想象本身真的足以勾勒出少女如此写实的动作吗?
原来以为是个普普通通的大团圆结局谁知道结尾突如其来的温情
被好看的海报骗进来的。。。这整个一出春晚小品的感觉= =比小品还难看= =||||让法国人民拍主旋律命题作文看来是不太行= =
视觉效果真的很棒很唯美,情节性上可能差了一点
生肉没太看明白。但互相是在这个孤独的世界上的光的感觉,真不错啊
太喜欢两个小孩在彼此的阳台上用影子交流的片段了 太有爱了~
小女孩与小男孩这对好可爱啊
3.5 故事性不强 治愈系绘本画风 润润亚撒西的声音和软萌少女一样治愈
设定藏着掖着实际应该没啥,很多灵光一闪的地方
不求与人相比,但求超越自己,要哭就哭出激动的泪水,要笑就笑出成长的性格!
巴齐尔可太可爱了
非常轻松的暖心小品,疫情期间又怎么样,还不是要生活。还是法国人最懂生活的幽默和哲学,这时候更想吐槽zgys拍的像坨💩
せんせ会思考把她送回去到底是不是真的为她好,没有一意孤行,太好了。
没什么逻辑的合家欢 小动物和小孩赛高 难听的歌唱个没完
剧情太薄弱了,没有讲一个完整的故事,艺术性可以,分镜值得学习
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