Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’
The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.
看到后面就开始快进了，各个方面都不太突出，有点平。
其他也还好，就是：请！不！要！瞎！cosplay！加里.奥德曼！
不大行，朴素丹那么拼命的耍帅扮酷，还不如一只橘猫干饭来得好看。
节奏和音乐真不错，朴素丹真的好像金高银啊！
动作戏的场面和节奏都不错，可惜剧情有点弱。
棒球老爸就是脑子不好使，自己要干大事，跟着一起的儿子还傻得冒泡，告诉他什么能做什么不能做啊。为了拍电影也是费劲心思把人弱智化了。怎么想，女主都不是杀手男的对手啊，还是信息差，小看对手了。最后那么多小混混竟然打不过一个女的，真是，混子警察也是垃圾，还要拿小孩子做人质，
我是真的很喜欢朴素丹的气质
犯罪➕喜剧是经典美式，但赛车现在要好看，就必须非常好看，《的士速递》和《速度与激情》，二选一就可以
三星半，七分。
标准。产业。合格。还有特色
开场的三板斧拍的不错。后面就缺乏足够的亮点
干净利落，没有废话，有点taxi和玩命速递的意思。不过，手持摄影晃得我实在有点眼晕。
单眼皮的魅力，小孩挺可爱的。车技不错。哈尼哥为什么不跑？
打斗和追车是看点，情节和大叔萝莉差不多。没事看看，并没有什么特别精彩，女主不好看。6.3吧。
冲着大叔，结果只是速递，动作功夫比较普通，没看点，也能对付混混和手枪？
带着两娃去看的，看了半小时就说要走，还是不如熊出没吸引他们
朴素丹 金多美 金高银，傻傻分不清。片子是传统韩国电影路子，酷炫的是车技的桥段。调性跟《中国城》很像。 故事结构有杰森斯坦森系列电影的影子。
比想象中好啊。飙车追逐戏拍的很棒。话说韩国人眼里脱北者都是高手。看来北边对于南边来说真是神秘的存在。
这不是一部很好的片子么 为什么 评分在6.5 在7分以上没问题啊 不错的电影 国产那些垃圾 不是更应该低一点么 垃圾都有脑放加持 复杂的又看不懂了
甚至还让孩子说了那句著名的台词
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