剧情介绍

  Wounded and on the run, notorious gunman Quirt Evans (John Wayne) gallops onto a farm owned by Quaker Thomas Worth (John Halloran) and his family and collapses. When Quirt urgently insists upon sending a telegram, Thomas and his daughter Penelope (Gail Russell) drive him into town in their wagon. After wiring a claim to the land recorder's office, Quirt kisses Penny and then passes out. Ignoring the doctor's advice to rid themselves of the gunman, the compassionate Worth family tends to the delirious Quirt, and Penny becomes intrigued by his ravings of past loves.
  Quirt recovering under the care of the two women (from left to right: Rich, Russell, and Wayne)
  Days later, when Quirt regains consciousness, Penny patiently explains the family's belief in non-violence. Three weeks later, Laredo Stevens (Bruce Cabot) and Hondo Jeffries (Louis Faust) ride into town looking for Quirt. When Penny's younger brother Johnny (Stephen Grant) rushes home to inform Quirt of his visitors, Quirt quickly prepares to flee. Penny, now smitten with Quirt, offers to run off with him. At the sound of approaching horses, Quirt grabs his gun and discovers that it has been emptied. Training his gun on the doorway, Quirt calmly greets Hondo and Laredo. Thinking that Quirt has the upper hand, Laredo offers to buy his claim. When Quirt sets the price at $20,000, Laredo hands over $5,000 in gold and challenges him to come for the balance when he is able – if he has the nerve.
  Afterward, Quirt saddles his horse, but when Penny begs him to stay, he changes his mind. Later, Quirt learns that cantankerous rancher Frederick Carson (Paul Hurst) has dammed up the stream that runs through the valley, thus draining the Worths' irrigation ditches. Quirt intimidates Carson into opening the dam.
  One Sunday, Penny asks Quirt to join the family for a ride. Before they leave, Marshal Wistful McClintock (Harry Carey) comes to question Quirt about a stagecoach robbery. The family swears that Quirt was with them at the time. The marshal then asks Quirt why he resigned as Wyatt Earp's deputy, sold his ranch and crossed over to the wrong side of the law soon after cattleman Walt Ennis was gunned down in a saloon brawl. When Quirt refuses to answer, the marshal leaves. Penny then begs Quirt to steer clear of Laredo, and he acquiesces because of his love for her.
  As Quirt and the Worths ride to the Quaker gathering, Quirt's erstwhile sidekick, Randy McCall (Lee Dixon), tags along. Randy tells Quirt that Laredo plans to rustle a herd of cattle and suggests that they then steal the herd from Laredo and let him take the blame. Mr. Worth gives Quirt a Bible for ending the feud with Carson. Fearing that he will never be able to live up to Penny's expectations, Quirt abruptly leaves with Randy.
  Quirt and Randy steal the herd from the original rustlers. They then celebrate with showgirls Lila Neal (Joan Barton) and Christine Taylor (Rosemary Bertrand). When Lila, sensing a change in her old flame, teases Quirt about his Bible, Quirt becomes angry and rides back to the Worth farm. Overjoyed, Penny throws her arms around him, just as the marshal arrives to question Quirt about the rustling. Quirt states that Lila can provide him with an alibi. Penny is hurt that Quirt was with his old flame, who she heard him talk about in his delirium, thinking Quirt prefers Lila's fair hair. Quirt realizes the depth of his feelings for Penny, and they kiss hungrily in the barn, while the camera fades.
  The marshal warns Quirt that he is the wrong man for Penny. Quirt decides to propose to her anyway. Instead of replying, Penny invites Quirt to join her picking blackberries. Quirt answers Penny's questions about his early life. Kindly Walt Ennis raised him after his parents were massacred by Indians. Then Ennis was murdered.
  Quirt and Penny are ambushed and chased by Laredo and Hondo on their way home. Their wagon plunges over a cliff into the river, causing Penny to develop a dangerous fever. When the doctor informs Quirt that there is no hope for her, Quirt straps on his pistol and rides into town to exact revenge. After Quirt leaves, Penny's fever suddenly breaks.
  In town, Quirt sends Bradley to tell Laredo and Hondo he is waiting for them in the street. Penny and her family arrive. She gets Quirt to surrender his gun to her. As Laredo and Hondo draw their guns, Marshal McClintock shoots them both. Quirt rides off in the wagon with Penny. The marshal picks up Quirt's discarded weapon. Bradley comments that Quirt may need the weapon, to which the marshal says, "Only a man who carries a gun ever needs one." And, the film fades to black.

评论:

  • 喜谷翠 7小时前 :

    8.8分是真的不至于。和洪尚秀快走一个路数了包括每个故事结尾一个zoom in都神似,水平比洪高点但是半斤八两吧。色诱教授那段潜台词:-我这片怕无聊故意中间放一段黄黄的让观众能继续看下去。-那导演你是这样的人吗?-这得看你们观众自己是什么样人了。读德勒兹出来的也就追求到这水平上了。柏林金熊银熊都是这种低成本片,不知道这路现在是有多难走。

  • 微生心语 3小时前 :

    演-不具反思性,不会笑自己只笑他人

  • 戴初蝶 2小时前 :

    去电影院迟到了。进去看了没一会儿就开始流眼泪,沈腾出来那段停了一会儿,到贾玲和年轻的她妈喝酒说心里话的那段又开始,再到字幕打出来“我记忆中妈妈一直是个中年妇女,我想她也曾是花季少女”,哭着走出影厅。本来以为是一厢情愿,后来告诉你是互相配合表演,这个妈看到女儿做这么多让自己开心,觉得这么选一切都值了,这辈子很幸福,作为观众我觉得圆满了,逻辑什么的就无所谓了。这些喜剧演员太勇敢了,把自己亲身经历讲给你,然后当着大家的面把心里话说出来。电影里那种工厂的氛围、劳动的氛围,时代浪潮化成无数细节遍布周遭,那时一切都是欣欣向荣,积极向上,无限可能,加上卡拉OK风格浓郁的配乐,我感觉这些东西是从小刻在我骨子里的,太熟悉。

  • 卫炳伸 5小时前 :

    #IKSV# 1>3>2,终于get到滨口电影的奇妙所在!滨口文本里的女性总是带有挫败感,用轻盈的笔触将影片带入相对松散的叙事维度,但话语间又不时能迸发出让人会心一笑的大智慧,简直就像魔法一样!如同手术刀一般精心剖析人际关系,在无序中寻找平衡,在压抑中寻求解放,甚至让第二个故事巧妙连接起了外部故事的分界,偶然拥有不止于想象的魔力,想象也可以在偶然的一瞬间表现出超然的结果。线上英字尝鲜,待重看。

  • 凯骞 3小时前 :

    女【戏精,阴阳怪气,讽刺性假笑,嘴硬{我不爱!,袒露占有欲(转移到情敌)},试图激怒,我爱你{吵得像曾经,伤你伤己},选!,咱们残缺】

  • 卫昱岗 4小时前 :

    特别喜欢从反转开始到贾玲最后任性的大哭。其实是很私人的电影,贾玲就是任性的想拍一部片子来怀念母亲。没有太多感同身受,但确实为她高兴。

  • 姬雨文 5小时前 :

    这他妈哪是电影,简直就是春晚小品大荟萃。亲情作为题材,永远是最安全的,你敢说妈妈不好,你就是不孝,不孝是多大的罪啊,比杀人放火还严重哦,已经对构建社会主义和谐社会造成极大威胁了,很大一顶帽子

  • 刁志专 1小时前 :

    心何尝不是如此呢?

  • 慕容佳美 6小时前 :

    2前半段>3>>2整体>>1,感觉滨口龙介差不多可以归类到女性导演了…

  • 强觅双 3小时前 :

    反转不错,有点洋葱。但是笑料略low,而且把沈腾拍得好猥琐,乔杉就更猥琐了。

  • 司马觅晴 4小时前 :

    滨口龙介#1 看的时候在想:啊,这风格和节奏也太侯麦了。出来点开一看,导演自己说是受《人约巴黎》启发,果然。

  • 傅献仪 0小时前 :

    滨口真的完美地诠释了什么叫【意想不到】,冷冷地吓你一大跳的同时还能让你逐渐觉得,这才是合理的,就该是这个样子!绝了

  • 东彬炳 6小时前 :

    绝妙的zoom in,现实的合法性在此间轻微震荡,宣誓了虚构是魔法、是打开遮掩的门、是不断重来。

  • 典开济 4小时前 :

    滨口龙介拍出了侯麦的感觉,让人全程只专注于对话可不是容易的事情,第二个故事尤其刺激。

  • 施世韵 0小时前 :

    滨口龙介的魅力,在于他对虚与实的掌控,在某一个现实的切口里,装入了想象的可能性。所以表面上看他表现的是意外,事实上,他扩宽的是时间的疆域。但他的核心仍然是关于伦理的探讨,第一个短片聚焦于相爱相杀的三人关系,惯于征服的女主最终选择了退出。第二个短片探讨公共与私密的边界,性自然是最好的话题,然而秘密的性(包括通过文学表达的性)最终在阴差阳错下成为了公共事件,这种突破与摧毁虽然是负面的,伤害性的,但也给了女主重塑自我的可能。第三个短片相对比较套路,讲的是通过角色扮演的游戏回到过去,自我确认。虽然我个人相对最喜欢第二个,但三个小片段都旨在对人的生活和内心世界进行探寻和拓展,在这点上主题还是很一致的。

  • 卓映菱 6小时前 :

    《欢乐时光》读书会光环升级护体,滨口甚至自我解嘲——只要中间加入色色的东西,读者观众就会想继续看下去。尴尬非常态与紧张悬念,绞合在一念之差,一间办公室,一种陌生熟悉感,一个沉睡等待唤醒的名字。过去有五小时的滨口,现在也有了短片合集形式、轻松不累的滨口,即便这很容易滋生集锦片先天毛病——一如有人宣称爱1踩23。123表面没任何关系,却与主题息息相关。如此多女女/心灵/爱情对白,认真较劲得让人拍大腿,令你惊呼她们根本不是演员,而像是从生活中,直接来到拍摄现场,进入摄影机前面。电影,就在日常生活中开始,滨口总是这么有办法,矢石交攻的恋人、目光炽张的读本、言笑晏晏的执手,一再捕获到魔法、醍醐和灵光时刻。

  • 左安顺 4小时前 :

    看完想抽烟的电影,导演选角的水平是大师级的

  • 姜琼音 9小时前 :

    最喜欢第三个故事,扮演与“扮演”;但相比之下,还是更喜欢张律在《福冈》中的处理。

  • 仵和宜 6小时前 :

    在电光声影中寻找心灵的平静。第二个故事读书部分的对白,真心太精彩。像有把叉子直接挑开日本社会的内核,又轰地一声把日本文化在世界之林地地位猛地提高很多很多!

  • 合高寒 0小时前 :

    4,4,5。我可太喜欢最后那个拥抱了,“一次,二次,终于”的节奏,全然它被拿捏。

加载中...

Copyright © 2015-2023 All Rights Reserved