With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
剧场版观影顺序：
新兰感情线，5分；推理，3分。综合得分，4分！这都20年了，你跟我说他俩才确认交往？！不过late better than never……
柯南为数不多的正常时刻。虽然剧情牵强的还是有点搞笑，但新兰都官宣了这次就不嘴了吧。
京都秋色真美。今时今日阿笠博士应该掌握deepfake了吧。
红色修学之旅 世纪之吻啊，这篇我看了三遍，希望新兰一定要结婚啊
这么多年终于算是正式确定关系了，坐等大结局。
全程姨母笑，留下了幸福的眼泪，新兰终于敲定了！
球球了 改成青春浪漫爱情推理故事好吗！为什么不能一边谈恋爱一边破案啊！！！
竟发现我和zh是对家，不过我确实不该在这部舞柯哀
感觉一般般，为什么列出名字还要用暗号，人家怎么告诉自己家人，怎么靠这个作品找工作
更重要的是还有新兰撒糖
故事其实挺一般的，情节老套，诱导过于刻意（前半段一直在暗示女演员是凶手，铺了一堆疑点，男主居然统统无视，后面也就不了了之了…），案件逻辑略扯，推理牵强，bug一堆（比如新一早就听到过出栗的名字，后面居然不记得了，啥时候那么健忘了…），细节也不太讲究…感觉豆瓣的9分虚高了…
柯南为数不多的正常时刻。虽然剧情牵强的还是有点搞笑，但新兰都官宣了这次就不嘴了吧。
哎她妈的我永远喜欢新兰酱 就可爱....怎么会这么可爱啊……看工藤新一心乱如麻真是太有趣了……
6-10合集 虽然鬼灭很好看 但是花头精过多了 每次看都以为是新剧集 白高兴一场
原来2019年新一和兰终于定情交往了啊，为二人撒花🎉🎉🎉不管什么时候看他们俩，都还是初心不变，让人小鹿乱撞呢，仿佛又找回了青春期的情愫! 还是柯南的世界简单纯粹，即使杀人残酷，但结尾看到电影海报名字版式设计，发现五人其实用另一种方式表达对创作者的敬意，还是觉得满满的感动，只有柯南的世界才是为了友情或爱情杀人，凶手终于忏悔而自省～
啊啊啊啊啊新兰新兰永恒！！（剧场版要是能回到这样的质量就好啦）
推理部分感觉挺水的，但是整体剧情还行，值得7分或8分。
柯南的案件本身已经不值得了，甜甜的恋爱和主线剧情的推进永远值得。
原来是剧集里的合集，难怪有在认真推理，难怪会觉得最后的亲吻镜头特别熟悉，原来这个片段已经看过了。
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