The Polish doco for the BFI’s Century of Cinema distinguishes itself from all the others in the series by being the only one not to have any film critics, academics, directors, etc providing a commentary. Instead it takes the refreshing route of having ordinary people of all ages talking about what’s special to them about movies – so we get some old folks describing their first trip to the cinema when a lot of people didn’t even know what a film was, memories of what it was like to go to the movies as children, teenagers, and adults before, during, and after WWII, and especially the key scenes from films that have made lasting impressions upon them (not unexpectedly, Wajda’s KANAL strikes a nerve), which are shown in accompaniment, so that it becomes the interviewees who ultimately decide what’s shown in the doco. This kind of stuff is what the ‘100 Years of Cinema’ celebration is really about.
好看诶好看诶，最后好爽。更偏惊悚吧，但是jump scare我还是心脏疼。bug其实不少。
（还是一样的问题萦绕在Co头上：开眼了会不会把自己吓到……
5.“芬，这是最后一通电话了，从现在开始出去只能靠你自己了！”
两个小孩外加伊桑霍克的演技在线，男孩总是比女孩成熟得晚
倒也没有很恐怖。。。小男主让我幻视好多人😂
The phone is as a medium again keeping in touch with another world
小演员们真可爱啊！！！可是Ethan Hawke 这个角色怎么这么无聊？！
作为一部温情向的青春类型恐怖片，又是改编自史蒂芬·金儿子的同名小说的电影，势必会在其中瞥见许多他爹电影的影子。好在德瑞克森没有将致敬用到泛滥，而是在许多小细节处安插了让影迷欣喜的彩蛋。
被铺天盖地的宣传欺骗了，就是平平无奇通灵小孩智斗双重人格虐童杀手。但是回忆部分伪纪录片式的拍摄手法以及低对比度的色彩画面反而比较惊悚。
阿...这面具...进击的伊桑·霍克...
什么玩意？犯罪片不算犯罪片，灵异片不算灵异片，反正我是没看到亮点在哪里，基本的氛围都没烘托起来
从海报上的面具就隐隐看出伊桑霍克的影子是怎么回事。
不是特别喜欢超自然的恐怖片。
2.没有自己的灵魂!!!!!
兄妹俩的羁绊，男孩子们的勇气和智慧，不能够是R级片。是友谊和亲情的黑色宣传片。
很规整，也很清流。冷静而且聪明的小孩简直就是光芒四射。电影倒不恐怖，剧情也比较少年类型，那就当看了一部有感动有冒险的金氏儿童电影吧。
看了评价才懒的那么多人说好，太一般了，这种类型的电影一大堆。
模板很好，略有些《小丑还魂》的调性，反杀很爽，直接的暴力总是最为酣畅，但是这个故事讲得却又实在糟糕，线索杂乱，错漏遍布，设定的阐释也是差强人意。
反抗patriarchy的设计值得表扬。惊吓手法还是最老的那一套，非常boring。
儿童成长的内核，却用了一个被囚禁和黑色电话的精神上的象征，不高明也不合理，不伦不类。
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