With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
故事细节，反转都挺丰富的，每每出人意表，不错。宅男，打工人欢喜冤家组合，与骗子，债主，旧友，出租师傅们上演的阴差阳错的行侠仗义
冤家邻居大破宝药党。剧本还有打磨的空间。前半部份节奏略有拖沓
这个团队好像总是拍不出所谓的“大片”感hhhh不过不像电影也有不像电影的好，许多电影经常会给我由于时长所限而很难讲出精彩故事的感觉，这部则不同，在两个小时的时间内从情节展开到人物塑造都进行得很彻底很完善
李洪绸小宝团队的作品确实很对胃口，早先的毛骗三部曲就不说了，隔了好几年又在2021年相继看了网大非常保镖、网剧杀不死、超短网剧城市的边缘，以及本片，虽然客观上质量并不都高，但观看体验就都挺舒服的，轻松惬意
毛骗团队，还是那个味儿，国产电影良心作品，有点盖里奇的意思。
《毛骗》团队出品的作品，下限不会太低，影片虽然还是满满的套路，都是那种各种的巧合，但还是看的挺有意思，只是到了最后感觉故事有点圆不回来了，再加上各种煽情啊、升华啊之类，就有点不喜欢了。
浩然那么好打居然跑了。
最后两人互相治愈，坏人被抓。
两个冤家大头，一个总是自我为中心，一个瞻前顾后却时而冲动，这种意外频发的喜剧很久没有新鲜感了，这部的故事叙事一气呵成，可以可以
这特么借钱不还、偷刷别人信用卡，这叫奉公守法？挺适合拿来做戒网瘾的宣传片
作为毛骗团队老粉表示完全没有让我失望，还有那群人还是那种味道，将近两个小时的时长剧情很饱满，感觉就像看了12集电视剧的样子，很过瘾，节奏也把握刚刚好，''小宝''和''邵半仙''每次搭档都妙趣横生，虽然所有的故事走向都是可预见的，但每个细节都铺垫到位，影片格局不大，这样的低成本拍出了高性价比的作品，虽然有些情节设计比较低幼，但谁在乎呢，这可是一群曾经靠在微博借道具拍出了国产网剧天花板的人啊
小人物的悲欢离合，结局算是HE！(邵半仙的角色太深入人心了)
电影三星以上吧。故事不够精彩。保健品啥时候彻底治一治
无聊，套路，节奏太差，这么多年过去，还是网大应有的水平
浩然哥怎么就没演过好人呢
一个月两次在影视剧里看到了震楼神器😂
“抢劫一晚上就是不报警系列”
创意很像疯狂的石头和两杆大烟枪。。。穿帮镜头是男主2014年考上南复大学，但因游戏被退学，结果家里墙上的那么多奖状里竟然有2017年高中的奖状。。。
是不是找了不少刷评分的？ 感觉拍的很糙啊……
作为毛骗团队老粉表示完全没有让我失望，还有那群人还是那种味道，将近两个小时的时长剧情很饱满，感觉就像看了12集电视剧的样子，很过瘾，节奏也把握刚刚好，''小宝''和''邵半仙''每次搭档都妙趣横生，虽然所有的故事走向都是可预见的，但每个细节都铺垫到位，影片格局不大，这样的低成本拍出了高性价比的作品，虽然有些情节设计比较低幼，但谁在乎呢，这可是一群曾经靠在微博借道具拍出了国产网剧天花板的人啊
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