The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
除了剧情,其他音乐画面都很好‖看到老虚有预期了,反而觉得结尾,就这,没咋刀啊
讲个笑话,虚渊玄×荒木哲郎×小畑健×泽野弘之×WIT STUDIO
只能说片中关于阿兹海默症只是蜻蜓点水。
独生女所面临的老龄化家庭重担,成了阻挡生活向前的荆棘,然而亲情无法斩断,爱情只好多余。饰演父亲的老演员功底出神入化。
#PYIFF#6分半吧,通俗易懂,感情充沛,叙事完整,这是及格6分,导演有一定的想法,从镜头调度和超现实情节的表现可以看出来,而且是处女作,可以加个1分,但是整体表现还是过于平均,想说的太多,以女儿为叙事主线,反而分散了重点,让人不痛不痒,扣除半分!加油吧!
阿尔兹海默、女性视角、被“阉割”的视域想象
话说有没有那么一种可能,本片的staff其实是被资本裹挟了?
有几个镜头挺好,但前面像电视,后面像电影就很难受。
导演处女作。
无聊且生硬。
太老套了 都什么时代了 还在讲女生为爱情牺牲自己的故事
加大号的人鱼公主的故事。
主副线形成天壤之别,让人更为惋惜
虚渊玄 你根本没在编剧奥 指定没你好果汁吃
55/100 #ParisIFF# 视角太多变,演员不自然,后半段又过于苦情,一些长镜头不知是为何,虚幻梦境的段落多半不太凑效,对比一下《慕伶一鸣伟明》真是又克制又聪明,哈内克?哈内克 my ass
文艺片能在好好讲故事,真不错。穿插的超现实主义是点睛之笔,喜欢
PYIFF 死亡没那么可怕,被死亡凌迟才可怕
虚渊玄属实拖后腿,剧情并不复杂,呈现的效果却不好。
好人设,好画工,强班底,做出一个介于俗、雅和诗意之间的四不像动态ppt。这部作品的唯一价值就是,你能从中截出几张漂亮的图用作桌面墙纸。
故事在剪辑后有一定的理解难度,但可以感受到电影的真诚。
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