Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"?
The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski)
From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
普通的剧情，所有角色和关系都按照普通美国高中生设置的。
这就是把预告片稀释再稀释，稀成刷牙水了……
就是很传统的美国青春片 就有点类似爱你西蒙那种
整部影片的色调相对来说还是比较鲜明的，基调旋律也比较轻松，无论是配乐还是氛围，都给人一种轻松自然的感觉，故事的结局还算是皆大欢喜，就我个人而言，姬片对我的吸引力没有那么的强烈，但这部影片带给我的整体感觉还是不错的。
我懂那种感觉，喜欢的人望着你，你不顾一切向她奔去的画面。
真的很无聊，两女主之间没什么cp感，一句话就能说完的老套故事，整部电影的服化道看起来很廉价。难得有he并且轻松的姬片，但是这个水准太让人失望了。
开始诗音问悟美，你现在幸福吗，我还觉得很奇怪，但揭开后却是满满的感动，结局很浪漫
剧情说实话比较一般，但是音乐都非常不错，几处演出甚至有迪士尼动画的感觉。
小清新姬片！不错以后能不能多拍拍这种啊🙏🙏🙏
突然有点羡慕。
3.5看主题进位系列。所以最后姐姐和女巫在一起了吗啊哈哈。很老套的校园我爱你你爱她故事，也是很老套的总有一个人会回过头来发现这个一直爱着她的人everybody圆满大结局。但现实生活中通常是你无论如何都放不下喜欢的人并且也没有人喜欢你。无论如何，好喜欢这部电影明媚的阳光色彩！感觉每个人都在散发自己的魅力。
前面有点尬。总感觉女主基本全程被牵着鼻子走。歌很好听！看到后面莫名的感动。。。
Just 打发时间看高中生谈恋爱。虽然有点幼，但很多地方还是很容易让人心动的。
好美好美的青少年酷儿电影，在她们的世界，家庭关系、性取向、性别歧视完全不是问题，最大的烦恼是该怎么面对第一个心动的女生。（重生的话请让我活在这部电影里谢谢）
是我今年看过的比较不错的动画电影，虽然国内一直还没有上映。剧情不拖沓很有看点，对于科技的设定看似稍有老套但是还是让人耳目一新。土屋太凤献唱的两首歌也是特别好听！甜甜的纯爱动画电影，观感还是十分不错的～
也许我太老了，看见这种青春洋溢且不管不顾的爱情故事总是特别感动。不过她们是幸运的，能够得到家人、朋友、同学的接受和认可，那个可以随意洒脱并不歧视酷儿的社会，真让人羡慕啊。
然後沒想到土屋唱歌蠻不錯的XD
天呐 姬仔终于也有这种“可爱但无聊”的青春片了 流下姨母泪🥲
前面有点尬。总感觉女主基本全程被牵着鼻子走。歌很好听！看到后面莫名的感动。。。
而这部可爱又有点无聊的酷儿电影正是以轻松的方式讲出了这种幸福到底为何物
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