A witty, exhilarating and mind-expanding exploration of the word of our times - data - with mathematician Dr Hannah Fry. Following in the footsteps of BBC Four's previous gleefully nerdy, award-winning maths films The Joy of Stats, Tails you Win - The Science of Chance and The Joy of Logic, this new high-tech romp reveals exactly what data is and how it is captured, stored, shared and made sense of. Fry also tells the story of the engineers of the data age, people most of us have never heard of despite the fact they brought about a technological and philosophical revolution.
For Hannah Fry, the joy of data is all about spotting patterns. She's Lecturer in the Mathematics of Cities at UCL as well as being the presenter of the BBC series Trainspotting Live and City in the Sky, and she sees data as the essential bridge between two universes - the tangible, noisy, messy world that we see and experience, and the clean, ordered, elegant world of maths, where everything can be captured beautifully with equations.
Along the way the film reveals the connection between Scrabble scores and online movie streaming, explains why a herd of Wiltshire dairy cows are wearing pedometers, and uncovers the remarkable network map of Wikipedia. What's the mystery link between 'marmalade' and 'One Direction'?
The Joy of Data also hails the giant contribution of Claude Shannon, the American mathematician and electrical engineer who, in an attempt to solve the problem of noisy telephone lines, devised a way to digitise all information. It was Shannon, father of the 'bit', who singlehandedly launched the 'information age'. Meanwhile, the green lawns of Britain's National Physical Laboratory host a race between its young apprentices in order to demonstrate how and why data moves quickly and successfully around modern data networks. It's all thanks to the brilliant technique first invented there in the 1960s by Welshman Donald Davies - packet switching - without which there would be no internet as we know it.
But what of the future, big data and artificial intelligence? Should we be worried by the pace of change, and what our own data could and should be used for? Ultimately, Fry concludes, data has empowered all of us. We must have machines at our side if we're to find patterns in the modern-day data deluge. But, Fry believes, regardless of AI and machine learning, it will always take us to find the meaning in them.
反转都在意料之内，凶手也太好猜测了，此类片子越是凶神恶煞的角色，越不是凶手，只是干扰观众的棋子，俗招用烂了，观众也变聪明了，反而这种耍小招的电影怎么看都傻里傻气。★☆
每个救赎别人的人有可能也是在救赎自己 这姐姐这两年演的这角色都够惨的 但是剧情简单却能表现很好的演技
20220617 节奏和故事都很闷。为了埋伏笔而故意交代不清背景的剧情完全没有必要，功力不够只能让人觉得没准早点交代的话这片子还能好看点。有些地方觉得不太合理，比如从雪山下来的途中落入河里的那片森林，完全无积雪。而转眼他们又上了雪山衣服还都看起来不湿。空洞、简单重复的对话以及男主各种作死的行为，让不到100分钟的故事显得漫长和无趣，把本来可以是很好的真人事迹改编的故事弄的完全没有什么说服力。
可能拯救别人也是她在自我救赎吧。大自然越壮美，渺小却丰富的人就越易触动我。（看完想hiking了）
勇敢的女士，挑战自我挑战自然以释放自己失去女儿的痛苦
不要靠近辣鸡男，会变得不幸。满是bug的反转，无聊的狗血，两星给美Lei。
翻拍自2013年的墨西哥电影《我们是贵族》，还是更喜欢墨西哥版本。可能因为拉美风情的融入，会更接地气吧。。。
蝻*人，sign，包括蝻观众，连女主身材相貌都要点评一番，无语至极
素面朝天有點唏噓
女主很牛逼，女闺蜜很nice，女警察很棒，女律师很厉害。
起始于一个不可原谅的愚蠢错误，之后的一切都没有意义
最大的bug就是，女主看不出来监控里是自己老公吗
跟以前看过的法国片相比 的确剧情比较平庸 可以不看哈哈哈哈
不是想象的惊险刺激 很真实很节制
TA是个贱货！那是你们男人用来叫那些不和你上床的女人！
生硬的反转 逻辑有bug 警察看海边的监控也能认错人 真是厉害 强行制造悬念
老爷子为了三个孩子独立长大真的是操劳了一辈子
...
娜奥米沃茨近些年就没咋接过什么好剧本啊，，不过依然为她在影片里的表现点赞👍🏻
明明是恐怖片，越看到后面越搞笑是怎么回事？
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