Martin (John Amplas), a young man who looks around 20-years-old, boards a train in Indianapolis, Indiana for New York. At night, he breaks into a sleeping car and sedates a woman with a syringe full of narcotics. She struggles, but he tells her not to struggle or be upset because she wont feel pain. After a few minutes, the woman falls asleep, and Martin has sex with the unconscious woman. Afterwards, he slices her wrists with a razor blade so he can drink her blood. The woman bleeds to death in her sleep.
In the morning, the train stops in Pittsburgh, Pennsylvania where Martin disembarks. He is met by Tata Cuda (Lincoln Maazel) an elderly and hostile old man who claims to be his cousin from the Old World. Together, they travel by another train to the town of Braddock, a dying industrial suburb. They walk to Cuda's large house where he shows Martin his living quarters. Cuda then accuses Martin of being an 84-year-old vampire from his old country. He has taken in Martin because he is family, but tells him, "First I will save your soul. Then I shall destroy you." Martin denies being a vampire and implies that Cuda is merely his uncle rather than his cousin. Cuda then puts up strings of garlic on the doors to his and his granddaughter's room, and then holds up a small cross when Martin approaches him. Martin takes away the cross, and even takes a bite of the garlic mocking these attempts by saying bitterly, "There's no real magic... ever". Cuda tells Martin that he can come and go as he pleases. But he also warns Martin that he will kill him if he kills anyone in Braddock. He also tells Martin to stay away from his granddaughter Christine (Christine Forrest), whom arrives home from her job that evening.
Cuda introduces Christine to Martin, but also warns her to stay away from him. But Christine instead strikes up a friendship with Martin who confides in her about his vampire heritage. When Cuda later confirms Martin's claims to be a vampire, Christine, not surprisingly, refuses to believe either one. She thinks that Cuda and the other members of her family have driven Martin to insanity by making him think that he is a vampire. It is never revealed if Martin really is a vampire, or just a shy and lonely youth with troubled issues. Christine is the only person that Martin gets the courage to talk to. When Christine's boyfriend Arthur (Tom Savini) arrives at the house for dinner, Martin stops talking and backs away despite Arthur's attempt at a conversation. Christine later confides in Martin that she hopes to leave Braddock someday with Arthur, even though Martin points out that Arthur treats her badly and is both verbally and physically abusive towards her.
When Christine sees that Martin won't talk to anyone else, she buys him a phone which he installs in his room. Martin begins to repeatingly call a radio talk show where he describes what it's like to be a vampire. He becomes known on the radio as "the Count" to all the listeners. But the patronizing host (Michael Gornick) thinks he's just crazy.
Martin gets a job at Cuda's grocery store of stocking shelves, hauling boxes around, and even gets to be a delivery boy for some of the customers. One of his customers is a certain Abby Santini (Elyane Nadeau), who becomes taken in with Martin. She is a very friendly young woman who is depressed when she tells Martin that her husband is unfaithful. But Martin still does not have the nerve to talk with her, so she is happy to have someone to confide in with her life problems. Martin phones the radio show host to describe his infatuation with the housewife and senses that she wants to have sex with him. When the radio show host asks Martin if it is a sexual problem that he has involving women criticizing him during sex, Martin replies that he has never had sex with a woman who was awake.
One day, Martin travels by train to outside Braddock to look for victims. At a supermarket, he follows a young woman (Sarah Venable) home to her posh suburban house. He sees the woman's husband (Richard Rubenstein) leave for a long business trip, and Martin decides this would be the right time for more feeding. Martin returns to the house after dark and breaks in through the garage door. But it is Martin who gets the surprise when he bursts into her bedroom to find her in bed with her adulterous lover Lewis (Al Levitsky). After a vicious struggle, Martin jabs both of them with hyprodermic needles with narcotics, and waits for the drugs to take affect. He drags the unconscious body of Lewis from the house to a clump of trees across the street where he kills him by shoving a broken tree branch into his neck and drinks his blood. Martin returns to the house where he has sex with the unconscious woman. But out of compassion and pity, he decides to let her live.
Martin begins to have romantic monochrome visions of his vampire past (real or imagined), where he drained blood from a young woman and was chased through the streets of a nameless European town by a torch-lit mob.
During one Sunday at church, Cuda brings home Father Howard (George A. Romero) who asks him about the possibility of exorcism and demon possession. Father Howard calls upon the elderly Father Zulemans (Clifford Forrest, Jr.) over at Cuda's request. Together, Cuda and Zulemans confront Martin his bedroom and attempt to perform an exorcism on him. At this point, Martin remembers (another real or imaginary flashback), in the Old Country of people trying to perform an exorcism on him, and he flees them. Martin then flees from Cuda and Zuelmas as well. A little later that night, Martin terrorizes Cuda in a children's playground when he puts on a Dracula cape and puts false fangs into his mouth to pretend that he really is a vampire.
One day, Martin finally musters the courage to talk with Mrs. Santini during a routine delivery to her house where he tells her that he's aware of her attempts to seduce him and wants now to have sex with her. After having sex for the first time, Mrs. Santini becomes more depressed for she tells Martin that her husband just left her because she discovered that she cannot bear children, and that her desires towards him are based on sex and nothing else. But Martin wants to stay with her and help her move on with her life. Martin tells the radio show host about his affair with the housewife and that he no longer has the urge to attack other women.
Meanwhile, Arthur meets with Cuda and tells him that he wants Christine to leave town with him so they can get married and start a family. But Christine becomes angry at Cuda when he tells Arthur that insanity runs in their family and he shouldn't consider having children with her. Shortly afterwards, Christine packs up and leaves Braddock for New York with Arthur despite Martin telling her that Arthur is abusive towards her. But her mind is made up. Before leaving, Christine tells Martin that she really has no ill feelings towards him and just wants to make a fresh start with her life. She says goodbye to him and promises to write. But Martin knows that with an abusive and possessive man in Christine's life, she probably won't.
Depressed over losing his one true friend, Martin phones the radio show host and tells him that he's getting "shaky" and wants to go out looking for more victims. That night, Martin travels to a rough crime-ridden area of Pittsburgh and attacks two derelicts in a alley, injecting them with narcotics. He kills one of them by silting the bum's wrist and drinking his blood. Martin is about to kill the second one when a police car shows up and gives chase. Martin narrowly escapes during a long chase on foot which leads from the garbage strew streets and through a local store. Martin runs into an old warehouse where a drug deal is going down. A shootout between the two cops and the three thugs begins where all of them are killed, leaving Martin as the sole survivor who casually walks away from the carnage.
One day, Martin finds Mrs. Santini dead in her bathtub, after she had slit her writs with a razor blade. Martin anonymously calls the police to report the body and leaves. He phones the radio show host one final time to say that he really doesn't need friends or people to talk to for he is his own person. But when Cuda learns about Mrs. Santini's suicide, is mistakenly thinks Martin killed her and made it look like a suicide as he's done before. Cuda walks into Martin's room while he is asleep and kills him by hammering a wooden stake through Martin's heart.
Cuda buries Martin's body in his back garden, while over the closing credits various voices from people are heard talking to the radio show host asking the whereabouts of "the Count".
No.2491 是设定在了哪个国家呀，真是云里雾里的。
不仅剧情扯，连动作也毫无看点，是谁说的好看的？
还行吧 在宾馆陪儿子随便看看的 他还挺喜欢 还笑来着 我也看一乐 看到一半发现里面的中国元素有点多 才知道是中国动画片。制作得不错呢 就是中间那段合唱可以再更优秀一点 有点糙～
造型好，故事就是国外编导一股脑写出来没心思磨细节的流水线作品，不过其实还可以，国内市场定位加国外编导的路线其实可以，再多点本土化可打造新的儿童动画路数
还行吧，非常适合小孩子看，反正我家宝贝非常喜欢
比较轻松愉快的电影，让我比较心疼的是白颂德的经历，如果人们对某件事情有过多的偏好，而社会又忽视另一方，可能就会导致不公和心理阴暗。像白颂德这样，没有菲拉萌的世界他才能活，才能避免被免费的赠送，那更多的是社会要关注的问题。而且菲拉萌仅仅是因为可爱就获得很多喜爱，有点像鼓励当下追求容貌的环境，如果可以体现多一些菲拉萌的努力和优势，立意会更好。
1，女主希娜（杨杏）确实是近些年来难得一见的国产片女反派角色，时而飒爽，时而邪魅，杨杏的眼神表演和打斗的动作戏私认为盖过其他演员，以后可以考虑围绕她出一部这样的动作片啊。她让我想到了两个角色，一个是小丑女，再一个是netflix出的泰剧
立意颇佳，逻辑不通。既穿越即为固定之一瞬，何以前后穿越之人可以团聚？何以最后又可藉时间花时空交流乎？
一群可爱的甜甜圈小怪物菲拉萌 讲的大概是时空穿梭记录绝版动物，每个动物都超可爱！然后也有贴近现实的历史剧情设计，总的来说很治愈很可爱 值得一看
看得出电影拍得比较辛苦，而且电影剧本虽然简单但也扎实，安志杰也保证了动作的观赏性。但是各种人物粉墨登场之后却显得表演有些用力过猛，生怕自己早期的创伤和内心的扭曲和阴暗不被人们觉察而都写在了脸上，甚至连沉默羔羊里的面罩都用上了，这部分实在让人感到有点尴尬。不过不管怎样，在甄子丹都渐渐老去的现在，安志杰能够有这样的创作还是令人有些期待的，希望属于他的黄金时代可以到来。
咱就是说如果打磨一下剧本，完善一下剪辑（毕竟穿帮镜头有点明显），上院线一定会是一部卖座的动作片。开头法庭段落有人说做作，天呐你懂什么叫变态疯批（不是）。改成电视剧也是妥妥美剧风，剧情很简单，但打戏拍的好好，内地都很少有这么爽的动作戏…….
影片中还有很多历史小知识
●竟然意外的非常不错！！这评分太低了！
反转挺有意思，少一星就为他不告诉我菲拉萌和鸟生出来的崽长什么样
2.上帝为你关上一扇门，开的窗缝更大。
挺好看的，就是最后一段没有肉搏战，情节略狗血，导致观感上比较差，总体来看是良心网大，水准与十多年前吴京的《黑拳》《狼牙》港产动作片差不多，武戏相当火爆过瘾。杨杏有点像辛芷蕾加文琪，安志杰身手还是利落干脆。
中规中矩吧 情节在意料之中 不过甜甜圈是挺可爱的 最后和dodo鸟有爱情属实大可不必
国产烂片，除了叨叨比较在线以外。拍的就跟打怪升级一般，剧情衔接无脑
及其推荐，非常适合小朋友或者一家观看，老少皆宜，除了对汪星人有些黑化其他很好，剧情也很舒服，画面质量很高
不好看 这个东西看着像熊孩子 很烦人 还是希望狗狗胜利
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