Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.
The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
猎魔人前传
实在是太好看了！维瑟米尔老爷子年轻时候的故事，这么浪漫的爱情！讲述了猎魔人之前的身世……
白狼前传。老头还是纯情少年。交手太果断了，一刀断头。好久没玩游戏看见个妖灵水鬼都觉得亲切。
动画效果还是很不错的，就是打斗场面让人感觉像是一部动作片，很奇怪。
完成度不错呀。维瑟米尔真像是照着布莱德利库珀捏的。伊格尼法印有个鬼鬼用。
讲了个跟原著和游戏都没有代入感的故事，角色塑造薄弱，节奏一塌糊涂。(猎魔人的魔法有那么强吗，动不动就搓螺旋丸和火遁？)
没玩过游戏，直接看动画。感觉为了节约预算还挺潦草的，怪物完全没有细节，也没有独特的技能。女反和男主的关系也不深入，信任还没到就反了。打得也没那么精彩，不怎么样。
更像一个中世纪风格的忧伤故事，画风成人向且血腥，动作戏还不错。有点像前传的前传，维瑟米尔作为主角，主线是壮年时期的故事，也穿插着讲了童年时期的故事，最后做了一个融合，小杰洛特以一拳超人的造型出现。
故事完成度挺好，欲望制造了怪物，怪物与怪物的终极对决中，正直的人活下来了。遗憾的是，爱情没能圆满，不过生活就是这样。
度假屋里正在互杀的两口子来了3名逃犯。设定有意思，偏长，节奏再快一点，动作场面再疯一点就更好了。★★★☆
男主个不孝子，被爹救了转身看着爹被反杀还开车跑了，醉了
但是最后维瑟米亚的眼泪还是让我心跳快了半拍
5.0，还是游戏的那股风味啊，命运斗转，两害相权，“没有了怪物，我们就成了怪物”，和wow的恶魔猎手一样，如果后会无期，那么祝你死得其所。
除开玩过3代游戏+看完全本小说的情怀加成（这个浪催又浪漫的老爷子啧啧啧），看看本作的战斗戏也值回票价了。
渡劫青草试炼后的那段蒙太奇，加上提琴的配乐，我看了十遍，太帅。Illyana那封信写的也很美，我准备背下来。
挪威人真会玩！血浆乱飞，黑色幽默，结局脑洞大开，哈哈，真是春节假期看的最有趣的一部电影！！就是男主弱鸡，一直吐槽一直吐！！
久违的坐高铁看电影经历
女术士在风雪中摧毁山墙的那一段作画太美了，我流下哈嘶哈嘶的眼泪
83+ 巫師三一周目結束了來標這個。還是相當好看的，作畫絲滑，人物也算精緻，適合遊戲打累了補補劇情。
战斗特效比较棒，每个种族的设定也比较新奇有趣。骑士女巫精灵猎魔人，牵扯到了很多种族的恩怨情仇，但是交代的比较仓促，很多都是蜻蜓点水，比如最终才交代了女巫为什么如此痛恨猎魔人，小狐和精灵的剧情线背景也比较模糊。当然因为是电影篇幅较短的缘故，整部动画片的可看性还是比较强的。
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