Michael Hanake meets the Blair Witch Project in Kim Gok's Exhausted, a vicious kick in the pants to everyone in the audience, all in the name of "style." A man meets a mute woman, and as any reasonable person would do in such a situation, makes her his prostitute. But the pimping is the least of our problems. As we get exhausted by the grainy faux-16mm camerawork, the film gets increasingly deranged. The closest thing we get to a sympathetic character is the pimp, simply because he's got too much self-respect to fuck a mute whore. Everyone else is either a gory mess, or a gory mess in disguise. Even the prostitute, which even a thug like Lars von Trier would make likeable, comes off as a delirious scary woman whose shrieks strike like blows to the jugular.
Kim Gok has seemingly abandoned the Marxist critiques of his short films, going instead for mindless brutality which culminates in an endless bloody freak-show involving, among other things, a pair of scissors going where pairs of scissors should not go. In the middle of the bloodbath, we get an extended long take of the beaten prostitute's near-dead face, but it does not elicit sympathy or pity. In fact, images of the victim only make us shy away in shock. (Indeed, the extended sequence led to continuous walk-outs during the Pusan screening.) The long take invites us to stare, but it assumes we're as sadistic as the victimizer (and the film) is. Meanwhile the sound-effects (mostly a rumbling bassline that shakes the theater) pulsates with pure wickedness. With Hanake, shock creates reflection, which asks that we be critical. Here, we only want to escape. I suppose Exhausted has some virtues; the shots of drilling machines and factories provide a mesmerizing phallic backdrop to the pimp and prostitute's pursuits. But everything else hurts too much. At least Kim Ki-duk lets us breathe. Exhausted makes Bad Guy look like Lady and the Tramp. (asiaarts.ucla.edu)
反派应该找成熟老道一点的演员，我不是说他演技不行，而是说观感不佳！黄政民演反派应该更好看哈哈哈哈～话说，人心那么散的团伙绑架也是醉了…
没有第一部惊艳，也没那么好玩了，唯一笑点，只有杀小弟弟
用超市优惠券带来的快感来冲消无爱的丈夫和无法拥有小孩的负面情绪，继而倒卖优惠券，获利数百万只坐牢数月，最终开启新生活，赢得人生！虽是真事改编，依然非常精彩！
最爽的地方是根据真实案件改编，发家致富的路子还真是不少
居然还是根据真实故事改编，就离谱。
除了C罩杯毫无看点。韩国警察真是出了名的废物
绝对是神片，两个中年妇女通过卖优惠券发家致富并惊动FBI的故事。故事已经很离奇了，电影整体风格又是小妞电影，轻松的音乐，姐妹们一起做大事，男人没有好东西。无论性别，看着都会很开心。前些年这种电影挺多的，这两年动不动就血海深仇的批判这个痛骂那个的，这种轻松幽默的题材反倒显出自己的可贵。
我个人还是喜欢这个版本的，至于漏洞这些么我觉得是大多数导演的通病，比如逃走不带武器，抢过枪来又无故丢弃，坏人总是开挂-怎么着都弄不死，警察总是粪草，啥也不是……但化妆这些我觉得胜原版一筹，细节把控到位，鼻子骨折明显可见。
人生就像一部电影，必须演绎的精彩才不会被淘汰！
但是，谁不喜欢亚当斯一家呢？
把犯罪片拍得轻松幽默且没有荤段子 真的不错
这部电影只能作为网大的电视电
除了那个胖子中间一口咬定假的coupon从中国来的有点无奈之外 总体还算轻松有趣吧 周五下班后笑一笑 轻松迎接周末
亚当斯一家竟然也开始玩真假千金梗，到底是什么编剧想出来的！太过分了，要是没有续集了怎么办？要是还有续集又怎么办？
很少有让我明确产生打一星想法的电影……真是有够难看，创意明明挺有意思，但就从剧情、剪辑到演员都各种僵硬尴尬。还毫不掩饰对中国的刻板印象，在影片里反复强调。想浪费两个小时吗，选择它你不会失望。
冲最后的怪物大战给个四星了，整个剧情走向都怪怪的，不过还是蛮喜欢这种感觉的，可以再来几部
暗黑版欢乐一家亲，我还挺喜欢这个故事的画风与人设设定的，都说幼齿，我倒觉得消散时间一家人坐着看看挺美好的，关注家庭成员的内心深处，亲情是不变的核心，能抵得过任何怪兽。
中规中矩的喜剧，那个配角胖子（乡下人的悲歌的主角）其实挺讨厌的，据说是真实事件改编，美帝的生活早就不应该这样存续下去了，浪费地球上多少资源
翻拍重点全部抓错。韩国警方一直废物这个标准倒是贯彻得很到位
剧情转折像贝尔肉毒素过量的脸一样僵硬，试图去探讨一些问题，又用闹剧的套路草草了事，真实改编也没有提高影片本身的质量
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