Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
升华了 我觉得立意很好 发人深省 冰上场面拍的也很震撼 不是每个人都会为全人类考虑的 但是每个人都会在意自己爱的人 在意自己爱的人并不一定会做出正确的决定 但确实是自私的人性中唯一的希望
一个母亲的爱与信念，节奏配乐很可。少有的能把战争VS和平、亲情VS友情平衡得好的雪地救援片。
综合：6.8
开始看还是一部不错的动作片，结局的处理简直差点毁了这部电影，任务结束就完了。
虽然剧情平庸，人物形象单薄……但还是被小虎墩萌到，画面比较美，也有比较催泪的点，有很欢乐的点。作为贺岁国漫，🉑。
浪费时间。一点前因后果没有就执行任务，看着云山雾罩的。就是一个骗人的行动，然后滑冰，一望无际的冰面，还是很震撼的。
总是混合突然爆发的情感，大吵大闹，大哭大笑。一份这么重要的任务，选这么几个垃圾。扯淡及了
即有点莫名其妙 又坚持看完了，大概是因为没咋看过北欧电影吧
看这个片整体的风格就是北欧系列，阴沉，压抑，冰雪。末日风格的剧情设定让人觉得没头没尾，一个失去女儿的母亲，为了再见到女儿同意执行一个自杀式的任务，滑着冰鞋在海冰面上跑几百海里……这得带多少给养？其他几个队员参与这项任务的动机也没交代清楚，女军官刚一出场就掉冰窟窿里挂了，用无线电联系女友的胡子小哥儿挺浪漫，但是被镇守孤岛的老夫妇给暗算了，附加伤害导致光头冰球队员也不堪忍受等待死亡的痛楚，饮弹自尽。小狙击手挺好的，但是为了救女主炸掉了半边脸，一直没搞懂男一是个什么存在，从一开始就鬼鬼祟祟的，到最后也没看出他到底是个正派还是反派……两个小时，感觉看了个故事片段。最后女主穿着防护服跳海自爆，在海水中与女儿重逢相拥，在疫情泛滥的当下，很是应景。
两星半，熊孩子太糟心，只有开头用心拍了，其余部分都在融梗，光沙漠船就看见《兰戈》《天空之城》等好几部动画片的影子
个人评分5分（主观影评、不喜勿喷）
挺标准和完整的，就是动作戏还差了点。每年能有这种质量的国漫已经算不错了。
为了见女儿，滑冰跨越海峡，原来是梦境一场，那还不反水？
以劳米拉佩斯为首的溜冰小分队历尽千辛万苦护送病毒罐达到目的地又反手摧毁它，还不惜赔上性命。故事还是那个简单的故事，只不过把场景变成了结冰的海面，故事可看性又加了几分。加上劳米拉佩斯一如即往的能打能挨的硬朗作风，还点缀上温情宠女的母亲形象，还是很能吸引住一大批观众欣赏本片的。
夜幕下滑冰的镜头可以对标边境杀手 别的就基本扯淡了
3.尼伦德到底是干嘛的？
什么垃圾电影，教人滑冰吗？莫名其妙，为啥要毁灭人类，为啥打仗 一概不提
对价值观的思考为啥不仅原地踏步，甚至浅薄了
不知所云，又碎，女儿剧情是为了？挖了很多坑又没有然后了。
女主长得真上头！ 话说这片子是怎么拍出来的啊
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