Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.
The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).
The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.
The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.
Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.
Roger Philip Mellor
滑冰千里送毒，后因被骗并没有见到女儿，又强行偷毒毁毒！
我的天，女主脑子怕不是有病吧？把病毒带回来了，说在基地的上尉也会毒死……要是她女儿真在基地不也会死啊，神经
本来想给四分的，在我看日文版一部分没看懂的情况下，总的来说气氛烘托的还不错，但是有几个致命的扣分点，女主偶尔的傻逼行为，女主女儿的叫喊感觉不是很合理，紧张的情况下不是应该安静？强行推动剧情。再就是结尾真的有点烂，在她授予勋章的时候完结就好了。 男主挺帅的，真的惨，最后硬闯实验室尬死我了。 结局泳池里还挺有美感的，中间很精彩，整部剧推动剧情的小细节应该处理的更好的，可惜了。 不会真是受死亡搁浅的启发吧，虽然我很喜欢这种类型的。
劳米拉佩斯我还挺喜欢，可惜好演员总是浪费在烂片上。
影片拍摄难度还是有的，故事相对简单，视听成熟。
周星驰的装扮，周星驰的梗，故事非常平淡，没啥意思。
木啥值得推荐的，没头没尾！从开头就让人一头雾水，结尾更是潦草，太多bug实在是
怎么说呢，为了应虎年的景的合家欢式的贺年动画片？但就觉着给大人看吧，嫌幼稚了 ;小朋友看吧，内容又有些超龄，结果有些四不像。
一个任性胡闹的小屁孩儿，到处逞英雄添乱的麻烦制造机，总有人给擦屁股，却还对维护自己的人口不择言…… 编剧是不是对小孩子的童真可爱有什么误解…… 这种价值观真的能帮家长们教育孩子吗？？谁家孩子以此为榜样，也是离鸡飞狗跳不远了。
不理解和不知道为什么的地方，那个上尉怎么到处都在？被枪打了也在是为什么？
主要讲人性吧，动作场面很少，对于动作片狂热者最多只能打个三星了。
战争开始之后最重要的事情就是如何结束，战争只是手段，不是目的
为了孩子，道理我懂，就是整部电影看的云山雾罩的，不知道拍的些啥。
这个片子在战争环境，人类的抉择，世界需要和平，这部片子值得一看，尤其是在冰面，上滑行那个效果确实做的挺好的，值得一看
太过纠结，40分钟想放弃又担心蛇头虎尾，错误精彩部分，坚持到最后20分钟快进了，不伦不类，不如简单粗暴点的枪战让人痛快。
完全找不到这部戏的重点，人物刻画的一塌糊涂，剧情进展的毫无用处，唯一能看的就是一点点可怜的战斗场面，但也同样十分的烂。能得两星的原因是我大致看懂了，女主一直背负着沉重包袱，至死方才解脱这一点。
题材创意独特，背景场面的特效也很大片级，就是剧情打磨得不够，动作戏差了一点意思，反正我觉得比《沙丘》好一星
啊……这……我想了好久，也不知道这片子有任何亮点……唯一的亮点算是还没开评分……之前还嫌弃人家拼盘不开，现在……em，不过这片子怕是也要赔的底掉啊，给四星吧，算是给国产动画电影加油吧……那，还有什么要说的呢，片尾曲还没完……嗯，完了，
本来想给四分的，在我看日文版一部分没看懂的情况下，总的来说气氛烘托的还不错，但是有几个致命的扣分点，女主偶尔的傻逼行为，女主女儿的叫喊感觉不是很合理，紧张的情况下不是应该安静？强行推动剧情。再就是结尾真的有点烂，在她授予勋章的时候完结就好了。 男主挺帅的，真的惨，最后硬闯实验室尬死我了。 结局泳池里还挺有美感的，中间很精彩，整部剧推动剧情的小细节应该处理的更好的，可惜了。 不会真是受死亡搁浅的启发吧，虽然我很喜欢这种类型的。
评分被低估了，那些打低分人总是低估人性的力量。
Copyright © 2015-2023 All Rights Reserved
