The Polish doco for the BFI’s Century of Cinema distinguishes itself from all the others in the series by being the only one not to have any film critics, academics, directors, etc providing a commentary. Instead it takes the refreshing route of having ordinary people of all ages talking about what’s special to them about movies – so we get some old folks describing their first trip to the cinema when a lot of people didn’t even know what a film was, memories of what it was like to go to the movies as children, teenagers, and adults before, during, and after WWII, and especially the key scenes from films that have made lasting impressions upon them (not unexpectedly, Wajda’s KANAL strikes a nerve), which are shown in accompaniment, so that it becomes the interviewees who ultimately decide what’s shown in the doco. This kind of stuff is what the ‘100 Years of Cinema’ celebration is really about.
为了凑个电影整了两条故事线。但是这个英国范儿还是很入迷
全员出场人物都要有故事线带来的问题就是台词和场次真的太过于密集，但是人家就是有本事全部满满当当塞下并献上华彩段落，对这个系列也算是一个完美的阶段性交代，期待这一大家子还能带来后面的新篇章
有来，有往。有声，有色。有始，有终。3.5+0.5
一星敬明天，一星敬过往。一星敬自由，一星敬死亡。一星敬人生苦短，何必念念不忘。
唐家屯承载了太多，老夫人安详的离世应该画上一个圆满的句号。
豪门风光有不同，悲欢离合总相似。
So radicalized I can't really care about this rn
老夫人值得一个完美的告别。但是，请不要再往下拍了，大家都老得好快。
元电影这层处理地很有意思。双线叙事增添了不少乐趣，可惜没多大关联。
新·时·代
挺好的 到这儿结束吧。大家都有美好的结局。连托马斯宝贝都找到了好莱坞明星bf。就这样吧，感恩~
罗伯特和薇欧莱特的那两句话把我的心戳了个泉眼，到现在还不能释怀。
所有人都到了对的位置，老太太演技没话说……
我记得第一部电影版挺好看的啊，这部怎么能做到从头尴尬到尾的...
唐家屯都开播十二年了啊！拍到现在有种所有人都nice到不真实的感觉。有钱有title真好，我也想住大庄园说posh English。没有老太太日常bickering的Downton没有灵魂！
每个人大概都有了圆满的归宿，平淡、优雅、浪漫，温柔却坚定着。唐顿在每一次时代的变迁中重生。
老太太法国情人留给的别墅赠予曾孙女
很久没有这样独自一个人坐在电影院里让情绪自然而然地默默宣泄，再也不用担心唐顿会出现意料之外的变数，一切都是那样合情合理地发展着，连最终的永别都是如此体面安详。
British core最后还是驾驭了Hollywood technique
你好我好大家好，我们都有光明的未来，最后降甜度的操作恰如其分得让整部电影没有齁甜
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