巴摩尔 高清

评分:
9.0 推荐

分类: 记录片 1994

导演: 索尼娅·孙

剧情介绍

  In the wake of the 2015 death of Freddie Gray in police custody, Baltimore was a city on the edge. Peaceful protests and destructive riots erupted in the immediate aftermath of Gray’s death, while the city waited to hear the fate of the six police officers involved in the incident, reflecting the deep divisions between authorities and the community -- and underscoring the urgent need for reconciliation.
  Directed by Sonja Sohn (one of the stars of the HBO series The Wire), Baltimore Rising follows activists, police officers, community leaders and gang affiliates, who struggle to hold Baltimore together, even as the homicide rate hits record levels, and explores how to make change when change is hard.
  The strife that grips Baltimore following the death of Freddie Gray exposes longstanding fault lines in a distraught and damaged community. Baltimore Rising chronicles the determined efforts of people on all sides who fight for justice and work to make their city better, sometimes coming together in unexpected ways, discovering a common humanity where before they often saw each other only as adversaries.
  Among the key figures spotlighted in Baltimore Rising are:
  Genard “Shadow” Barr (community leader, former gang member) is an addiction recovery specialist at the Penn-North Recovery Center, where he also helps organize a reentry jobs program for community members. Bridging the divide between police and residents of the Penn-North area, he works with all parties to mitigate violence. Barr is now working to open an entrepreneurship and job training center in West Baltimore.
  Commissioner Kevin Davis has led the Baltimore Police Department since 2015. He took over as interim police commissioner in the aftermath of the uprising and surging violence, when the mayor fired previous commissioner Anthony Batts. A lifelong Marylander, Commissioner Davis is a 25-year veteran and fourth-generation public safety professional. He was faced with repairing public trust in the department and stemming a rising tide of homicides amidst the trials of his six officers.
  Makayla Gilliam-Price (activist) founded the youth justice organization City Bloc as a high school student. She also organizes with the grassroots think-tank Leaders of a Beautiful Struggle.
  Adam Jackson (activist) is CEO of the grassroots think-tank Leaders of a Beautiful Struggle. His efforts are aimed at connecting young people to public policy and creating transformative change in Baltimore.
  Dayvon Love (activist), director of public policy for Leaders of a Beautiful Struggle, has deep experience with grassroots activism in the community. He has given numerous speeches and led workshops to give insight into the plight of its citizens.
  Kwame Rose (activist), an artist, writer, musician and public speaker, gained notoriety during the uprising that followed Freddie Gray’s death for his public confrontation with FOX News reporter Geraldo Rivera. Arrested during protests outside the trials of the police officers charged in the Gray case, he recently accepted a position in the office of Baltimore Mayor Catherine Pugh.
  Lt. Colonel Melvin Russell, chief of the Community Partnership Division, Baltimore Police Department, joined The Baltimore Police Department (BPD) in 1979 as a police cadet. He worked as a uniform patrol and then an undercover officer for 20 years before becoming an Eastern District Lieutenant in 2007. Recently he led the BPD’s chaplaincy program and worked cooperatively with such community leaders as Genard “Shadow” Barr to support a reentry jobs program and prevent another uprising during the police officers’ trials in the Gray case.
  Dawnyell Taylor (police detective) has been with the Baltimore City Police for more than 16 years. In 2015 and 2016, she was the lead investigator in the Freddie Gray homicide case, and testified at the trial of Officer Caesar Goodson Jr., who was charged with Gray’s murder. Taylor continues to serve in the police academy in Baltimore.
  The executive producers of Baltimore Rising are Sonja Sohn, Marc Levin, Anthony Hemingway, George Pelecanos and Mark Taylor; producer, Nathan Mook; supervising producers, Daphne Pinkerson and Kara Rozansky; directed by Sonja Sohn. For HBO: senior producer, Nancy Abraham; executive producer Sheila Nevins.

评论:

  • 酆思萱 7小时前 :

    感觉没有必要拍电影,这题材做一个多媒体展览啥的没准信息量能充实点,挖掘能深入点,会更有趣呢。

  • 栀梦 7小时前 :

    从不说永别,期待下一次同行。准备不好相遇,慌慌张张遮遮掩掩又马上道着别离。独处时刻才能无我,因而痛恨无处不在的镜子

  • 晨尧 6小时前 :

    Chloé Zhao的长片进化轨迹非常清晰,第一部从大量纪录片素材中剪出一个相对的故事线,第二部用人物扮演真实的自己,再到第三部的专业演员领衔,不变的是对特定人群生活的细致记录和描述,带领观众靠近他们,其他则无需多说。

  • 董欣可 5小时前 :

    Ludovico Einaudi 的钢琴配乐太加分了,尤其那曲Oltremare直接听哭,配合电影更哭惨了

  • 潮以珊 5小时前 :

    看得非常舒服的电影,像散文诗一样。来来去去,潮落潮起,自我放逐的旅者恒在路上。你能看到打零工、捉襟见肘的现实,也能看到每一次太阳从苍茫大地上升起的诗意。刻意离群索居,游离于亲密关系之外的女主,你能懂得她的孤独,也会认可她的选择。人性、历史大背景、自然的诗意,以近乎纪录片的松弛结构完美融合,得奖也合情合理。

  • 韩浩旷 2小时前 :

    3.5,面前旷荡广袤的,不是无依之地,而就是人生啊。核心提取出来也蛮鸡汤的,刚开始还以为是比较严肃的社会议题,后半段一路滑到了“和爱的人总会遇见”这个调性,重回工厂也变成了抒情段落,就还挺奇怪的。可能会朝迈克·李的方向发展?

  • 漫南蓉 4小时前 :

    home love life woman 越简单越困难

  • 麻高寒 0小时前 :

    “美国的底层生活”,是这么宣传的吧,其实只是个壳而已,是个非常私人的故事,讲孤独讲选择讲逃离,讲每个人都有一个不得不在路上的理由,这里大概包含了太多导演自己的经历。不知道为啥我会想起布鲁克林,这不能算是个异乡人的故事,或者说对有的人来说,这个世界处处是异乡吧,对于18岁就离家的我来说,寻求我心安处永远都会是生命的主题,但回头想想其实我站立的地方即是我家,女主说得对呀,“I'm not homeless, I'm just houseless”,我走去电影院的路上经过市中心抬头发现天气很好,我远远没想到即将去看的电影会那么符合我当时的心情,南十字星下的温暖阳光和北美苍凉的黄石沙漠就这么在我心里重合了,我们左手都是同一个宇宙里的星辰,我们终会再次相见,See you down the road.

  • 豆季同 2小时前 :

    舒缓,安静,痛苦,孤独还有贫穷,这就是失去对象又没有子女的老年人的生活,唯一的慰籍只能来自同样在路上的过客。

  • 濯兴发 8小时前 :

    精英式的幻想 精英式的傲慢 精英式的无病呻吟

  • 殳俊健 2小时前 :

    不只有哀伤,还有希望。绝症老奶奶的那幕让我想到了《樱桃的滋味》,对于他人不值一提的小事或许就是自己重燃对生活热情的动力。看完也想做个一直在路上的人,欣赏沿途的风景,听旅人诉说各自的故事也是一种幸福。

  • 钰梅 9小时前 :

    我知道有瑕疵,但还是被打动了。不是无家可归,是早就心无所属。最后她又回到那个地方,触碰到往日的旧时光,望向窗外,走向更广阔的新天地。

  • 格采 0小时前 :

    《骑士》的优点不仅都保留了下来,还进一步加强了,Fern走在亚利桑那的营地的几段镜头都是绝佳的摄影和导演的结合,赵婷脚踩的这根虚构/非虚构之间的钢丝真的不是一般导演能踩的,麦克多蒙德奉献的表演依旧超神,倒数第二个镜头很有意味。

  • 鞠湛霞 9小时前 :

    我拥抱更多的记忆,但陪伴我每天的只有那一份,一切看来那么实感的温暖都不是我可以拥有的。

  • 睦雁凡 5小时前 :

    科恩嫂的凸嘴有一种傲气和韧劲,搭配本片茫茫无际的荒野,让人觉得这个故事是挺立的,不会倒下的。

  • 车宏邈 3小时前 :

    #2020金馬影展# 趙婷的作品,我果然還是沒有共鳴啊,尤其後面突然來個老人說教?(說起自己的兒子自殺)不過攝影、法蘭姨、音樂都很好。

  • 鸿柏 0小时前 :

    唯美摄影抒情镜头很泰伦斯·马力克!纪实化叙事镜头很贾樟柯!叙事玩不转的导演,就算摄影抒情玩出花来,电影依旧没戏。讲好故事的电影才是主流,说未来能超越安叔的简直是丧心病狂!

  • 盈泽恩 6小时前 :

    好一句“回忆在,人就在”,压抑隐忍的90分钟终于等来海边冲破悲痛的情感释放,却也如此短暂又即刻上路,结尾收手稍慢,演技BGM完美,沉浸体验式镜头语言。满分。

  • 远吉 2小时前 :

    有选择的人去拍没选择的人并冠以浪漫的名义。就会怎么看都有些别扭。

  • 歧康复 7小时前 :

    对非虚构原作材料的处理,和《乡下人的悲歌》形成鲜明的反差;后者一心求稳,淡化所有全景风貌,只留戏剧矛盾;它却借由Fern之眼,看遍走遍这路,淡述这个国度所拥有的另种面貌。最有玩味的是,角色心境的平和与那种背负着伤痛之间的抉择,并非左右互搏似的僵持,而更像心内心外的循环与对话。Ludovico Einaudi的音乐、脱口而出的诗篇和堪称金句式的台词托陈,赋予了它更厚重的深度和引人着迷的方向。尽管是种得体的点缀,但也会在某些时刻现点突兀。#SendingLovetoDavidStrathairn

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