The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R.
第一部以前看过但是已经忘记剧情了，然后今天看这部就感觉剧情有点乱七八糟的，很多有超能力的人飞来飞去打来打去的，特效挺牛逼的，就是没看懂。
不过这代魔女太猛了，类似祖国人了哈哈哈。
感觉自己看了一部韩国版《超人：钢铁之躯》，这小女孩特么开挂的
《X战警之韩国魔女》
一部血浆片剪到140分钟，难道你是计时收电影费的吗？总体剧情混乱，几路人马一个也不肯好好交代，只一味的凌驾于人类之上的装逼。这系列看起来是要打造一个以LV等级区分战力的生化系统，但战斗等级的飙升让最基本的强化来源是什么大概已经没办法好好“构建”了。
比起第一部还是差了些 希望能有第三部把一切都圆回来吧 对第三部只有一个要求 就是希望能不要再压抑了 求求直接爽爆好吧 谢谢。
时长太长剧情太拖，两个多小时的电影只需要看最后半小时就可以了...看完第一反应是觉得这部不会只是为了引出下一部而来的过渡吧？最后金多美出现的时候觉得果然还是她更适合魔女，这部的女主属实没啥记忆点，不管是气质还是能力。队长小姐姐也好看的，李钟硕彩蛋里把头发整个绑起来的样子好帅！最后确实还是想吐槽一下韩国人说中文...咱就是说说不标准请四个配音演员总行的吧？要不咱就直接说韩语也行，上海也不是没有韩国人...
在无可选择的情况下，也算能看得过去，朴勋政这次没有很发挥，唯一启用大量年轻演员还行the other one，加个母亲，第三部看样子必须出
一回鲜，二回嫌。同样的路子在同一个IP里拍两遍就很无趣了。所以只有她们姐妹走cool girl路线是吧，其他人都是暴躁疯批（编剧你能不能有点人设能力？）
前半部分完全是第一部的剧情重新演了一遍嘛，还好后半段打斗还是很精彩，这一部感觉超能力也太强了吧，不知道第三部找到老妈之后战力要膨胀到什么地步哈哈哈
妹妹作为完全品真的是比姐姐强了不止一点半点，而所有其他兄弟姐妹们不过是妈妈细胞的复制品，姐妹俩简直是碾压式的存在。第三部应该就是小蝌蚪找妈妈啦。
妹妹作为完全品真的是比姐姐强了不止一点半点，而所有其他兄弟姐妹们不过是妈妈细胞的复制品，姐妹俩简直是碾压式的存在。第三部应该就是小蝌蚪找妈妈啦。
魔高一尺，道高一丈。
快闭嘴吧，别说中文了好嘛？发音恶心死我了。 “小蝌蚪找妈妈”，总觉得下一部会更拉垮。
第一部其实也不是特别好，唯一看点就是动作戏。而为了铺垫再反转，剧情先抑后扬，虽然节奏拖沓但能接受，而这一部，不但有上一部的缺点，还把动作戏删改成意念控制，光有特效那还看个der，背景还设定在黑夜，拍近身搏斗镜头又莫名偏移，第一部的耍酷到了第二部尬成了装X，泡菜味的中文也只能骗骗不懂普通话的韩国人。拍的很好，下部别拍了。
PS：我选包子脸姐姐。
姐姐不但战力高，而且智谋绝了（第一部）；妹妹只有战力，别的啥也没有，但这战力高到幻视凤凰女的程度，也太特么变态了（第二部）；第三部是不是就是姐姐的智谋+妹妹的战力，手牵手打她俩的妈？！美女小队长和逗比手下明显是装死等对方走了才爬起来，很难想象这俩货凭啥明知道那姐妹俩是个什么货竟然还嚷嚷着要去追（彩蛋）？
始料未及，始料未及！并不是续作，也不是前传，只是把前作的剧情重新再拍了一次？低配版魔女？或许勉强可以算是魔女3的预告片？
废话对白塑造不起角色，再说即便塑造起了一群没有剧情意义的炮灰角色又有什么用？
这么看的话第三部也在路上了，只是这个剧情就没有第一部那么有意思了。
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