Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.
The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).
The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.
The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.
Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.
Roger Philip Mellor
子供向的东西 但是剧作完整 特效好看 各种机甲变形酷炫但过满
我确实是爱大恐龙，但这情实在是忍不了。。。还有今年的IP都流行炒冷饭，咋都轮流请老一代的主角们来玩
娃第一次在电影院看电影，看完直呼还想再看一遍。当看到狗狗们从新总部出动的时候，那酷炫的滑梯给我都整激动了，哈哈，没有困难的工作，只有勇敢的狗狗！
老版没死的经典人物几乎都出场了，这情怀加分. 好友里基本都看过,感觉是国内院线同时期没啥别的选择?
优点是足够短，一个小时多一些，适合坐不住的小朋友。
第一次带寻寻看电影，寻寻哭得稀里哗啦。动画片真不错，，没有因为给孩子看得而糊弄，制作精良，故事感人，细节满满！
孩子超喜欢。
还不错，比动画片精致好多，偶尔还有点小帅。反正儿子看得很开心。
三岁的女儿很爱看，我也很爱看，这就很难得，画面质感都不用说了，更难得的是就剧情和给小朋友树立的价值观来说都非常棒，小腊肠利伯蒂真的可以是每一个小朋友与大朋友的人生榜样。
可可爱爱的狗狗们又升级新装备啦，还增加了新成员贝贝！小时候的阿奇也太可爱了！
儿子很喜欢，不知道会不会被打，我全程打游戏，两儿子很专注
6.5/10。非常适合儿童观看的电影，小狗都好萌。看到一只只狗狗驾驶着酷炫战车在轨道上飞驰，我心里在想：这个玩具会大卖吧哈哈哈好世俗的人。唯一的弧光是警察小狗，但挫折太直白，解决太直白了。猫又一次成为反派，我们猫猫什么时候能站起来！
国产那两部乐色都能6点几 这部不得满分吗？剧情、时长、画风都是给小孩子看的真正的动画片
王🥚除了佩奇第二部完整在电影院看完的电影 烟火和雷雨怕到表示“我觉得有点无聊”。
继巧虎之后，第二部小核桃能全神贯注看完全程的电影。还是挺不错的，小朋友真的会觉得狗狗们超酷的！而且那句“英雄也会害怕，可是他们即使害怕，依旧勇往直前”真的把我给整感动了🥲
唯一不足就是苏宁影城3号厅的设计简直反人类，选了最后一排也要全程抬头看，不会再去了。
故事发生地面积不会超过一平方公里 再大一点大家可能都没办法每场戏结束后碰巧遇到
看得快要困死，突然吓人的把戏还是太老套，咱们史匹堡的IP硬是给玩烂了
孩子看的挺高兴。里面那个韩丁纳市长就是在讽刺特朗普啊
《侏罗纪世界2》最棒的莫过于结尾处，恐龙进入人类世界...结果《侏罗纪世界3》根本没有现代物种与恐龙之间的战斗，并且，全片 2.5 小时，恐龙的打戏少得太可怜，反倒是一群“人类”发牢骚...另外，绝对模仿了 Apple Park 和 Tim Cook，太 TMD 相像了！从怪兽的趣味性绝对没有《金刚大战哥斯拉》来得精彩啊！
Copyright © 2015-2023 All Rights Reserved
