Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
这个世界观也很宏大 每个地名都可以来一个男人的话 就是无数集 完成度方面显然不如疾速系列 胜在个别桥段和台词比如
挺好啊 轻松愉悦 动作戏也够味儿 这种片要求那么多干嘛
超级庸俗的炮友变恋情的故事，但是孙锡久就算是这种这么土的马桶盖头，也是色欲满满的style啊
孙的脸荷尔蒙爆棚！！！ 全 好漂亮！！！头发丝都好看！ 两位演技也棒！
合格的爆米花片 小个子男主演得挺搞笑的 无它
还可以吧，依旧觉得孙锡久太迷人了；算是第二次看全钟瑞演戏吧，感觉她以后出来的戏咱就是必看！
21世纪爱情故事。 可以喝了酒看一下。两个人在小酒馆那段戏真的太上头了。
哈哈哈有的场面挺搞笑 哈里森一把年纪了竟然一招一式还挺灵活
郭达不接这戏是对的，因为势必还会再少一星。伍迪哈里森自带喜感还能往上拔一下。即便如此，老套的故事，不走心的设计，笑料也普通，三星到头了。
总体来说，剧情比较无聊。可能本片使用的套路和公式没有跟我形成共鸣吧。有一方面原因是因为选角都不够养眼。秃头白大叔+黑人死胖子的组合毕竟颜值偏低。当然如果你喜欢黑人嘴炮式幽默那另当别论。杀手和废柴从互相不顺眼，到彼此救赎的故事也不算抓人。所以影片成了温吞水。小孩看不懂，大人不过瘾。
又是杀手与蠢货因为互换身份而被迫组合的喜剧动作片，凯文·哈特和伍迪·哈里森的组合倒也算是有火花。总体来说剧情老套，反派低智，笑点时而有趣时而尴尬，打斗更似胡闹 @Netflix
脑回路清奇又碎嘴子的黑人小市民搭配面冷心热爱做饭的硬汉白人杀手，这个组合真是屡试不爽啊，很可乐的一部爆米花片，很久没遇到让我笑出声的喜剧片了，全程无尿点，非常适合聚会观看，居然还有Penny本色出演，以及山下智久惊喜出场，虽然只有两个镜头就被撞飞了哈哈
凯文·哈特从头到尾都只有烦人一个属性。这个片除了GYM的一场群戏之外方还不如nobody最烂的地方，这和R级无关。剧本，台词和镜头以击结构可以说是能混则混，剧情的推动毫无意义，人物动机也不合逻辑。看着伍迪·哈里森还得板着脸演这么烂的网大真是令人难过。
2.5 剧本配不上两个主演的水准，有些套路了，和期待的有点差距。不过孙锡久还是越看越喜欢嘿嘿。
关于杀手和话唠的老套故事，故事情节简单，通俗易懂，尽管这部影片在网络上映，质量上还是过关的，非常适合消遣，使人心情愉悦，另外，杀手➕话痨这一人物设定，为影片增添了喜剧色彩，创造了戏剧张力。影片在动作设计和运动语言方面，动感十足，如影片中仓库里的决斗，商场凌空打斗的画面虽然称不上是热血沸腾，但足以满足视觉效果。
太搞了！哈哈哈哈哈！这才是我喜欢的伍迪！nf自带中文好评
哪来的朴宝剑啊哈哈哈哈哈哈哈哈曹承佑大概还有一点点
中规中矩的爆米花动作电影。节奏处理的确实还不错。来自多伦多、迈阿密、莫斯科、东京…的男人，像极了分舵的舵主们…
shit movie. 无法看完. fxxk 网飞~!!!!
2022的365部电影No. 270
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